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Curated in China
Curated in China: Manipulating the City through the Shenzhen Bi-City Biennale of Urbanism\Architecture provides an in-depth observation of an architecture and urbanism exhibition with transformative objectives. It uses simultaneous narratives to explore scales and perspectives and the layered spatial and political agency that an ephemeral event – the Shenzhen Bi-City Biennale of Urbanism\Architecture – has gradually established in the city between 2005 and 2019. Encapsulating Shenzhen’s ambitions as a world-class city, the Biennale aims to actively build a relationship between architecture and socio-spatial issues as a device to not only investigate the city’s hypertrophic developmen...
Ventriloquism, Performance, and Contemporary Art
Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art. Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today. This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.
Bodies of Stone in the Media, Visual Culture and the Arts
If mediatization has surprisingly revealed the secret life of inert matter and the ‘face of things’, the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation. Within a contemporary imaginary pervaded by new forms of animism, the paradigm of death looms large in many areas of artistic experimentation, pushing the modern body towards mineral modes of being which revive ancient myths of flesh-made-stone and the issue of the monument. Scholars in media, visual culture and the arts propose studies of bodies of stone, from actors simulating statues to the transmutation of the filmic body into a fossil; from the real treatment of the cadaver as a mineral living object to the rediscovery of materials such as wax; from the quest for a ‘thermal’ equivalence between stone and flesh to the transformation of the biomedical body into a living monument.
Proceedings of the 9th International Congress on Deterioration and Conservation of Stone
The conservation of historic monuments, sites and structures constitutes an inter-professional discipline co-ordinating a range of aesthetic historic, scientific and technical methods. Conservation is a rapidly developing field, which, by its true nature, is a multidisciplinary activity with experts respecting one another's contributions and combining to form an effective team. Conservation is an artistic activity aided by scientific and historical knowledge.Main topics at this Congress included: - the most appropriate methodology for the assessment of the degree of weathering of stone - development of new methods and instruments for the diagnosis of the state of conservation, for the study of alteration mechanisms and for conservation treatments. - the definition of Technical European Standard Methods for the evaluation of conservation treatments of artistic and historic stone objects and monuments.
Flash Art
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Love Me Or Die
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Young Artists in Italy at the Turn of the Millennium
This is the sixth and final edition of work from the Italian Studio Program at P.S.1/MoMA, the most prestigious scholarship for young Italian artists. Chosen by a panel of respected Italian art critics, 44 artists have been able to live and work in New York under its auspices, launching a number of successful careers.
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