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Lula
Lula is among the greatest political figures in Brazilian history. The only president in the country with a working-class background, combined with a party that was profoundly original in its roots, he exercised charismatic power and influence in a more lasting way than any other public figure in the republican period. Since 2011, Fernando Morais, one of Brazil's leading writers, has gained direct, frank and frequent access to Lula. To these dozens of hours of testimonies, he has added a reporter's flair and captivating prose to compose a biography that paints a picture in all its grandeur and complexity. In a narrative that makes use of flashforwards and flashbacks to maintain an electrifying pace, Morais goes from Lula's childhood to the annulment of his convictions, in 2021 - passing through the new unionism, the ABC strikes, the foundation of the PT and the first election campaign.
Dirty Hearts
Fernando Morais’ Dirty Hearts is a tour de force of literary journalism that investigates the discriminatory treatment of the Japanese immigrant community in Brazil during World War II and in the aftermath of Japan’s defeat and unconditional surrender. In contrast to the internment camps and compulsory military service that characterized the Japanese American wartime experience, this book traces the rise to power of Shindō Renmei, an ultranationalist secret society that formed in response to the anti-Japanese measures enacted under Getulio Vargas’ Estado Novo. Based in São Paulo, the group used terrorism, propaganda campaigns, and conspiracy theories to violently enforce its narrative of Japan’s victory. These traumatic events nevertheless brought about a permanent transformation in the Japanese Brazilian community from a largely insular colony with close ties to its imperial homeland to its new identity as an ethnic minority in postwar Brazil’s fraught racial democracy.
Lina Bo Bardi
div The first major retrospective of the Brazilian modernist architect's life and work/DIV
Laboring for the State
The Cuban revolutionary government engaged in social engineering to redefine the nuclear family and organize citizens to serve the state.
North of Havana
From one of America's leading legal minds, a riveting look at the U.S.-Cuban relationship seen through the lens of a nearly impossible case During his distinguished career, Martin Garbus has established himself as a well-known trial lawyer representing the likes of Daniel Ellsberg and Leonard Peltier. But there is no story Garbus wants to tell more than that of his most challenging case: representing five Cuban spies marooned in the U.S. prison system and his efforts to get them out. North of Havana tells the story of a spy ring sent by Cuba in the early 1990s to infiltrate anti-Communist extremists in Miami. Erroneously charged by the U.S. government in connection with the 1996 shootdown of...
Frei Betto
The Biography includes a Preface by Cuban Commander Fidel Castro Frei Bettos roles as a revolutionary Christian, popular educator, social movement articulator, and journalist/writer provide insight into the political and religious history not only of Brazil, but of Cuba and former socialist countries of Eastern Europe. His lifepath is one of engagement with the revolutionary struggle against the Brazilian military dictatorship in favor of social transformation. His arrest in 1969 for coordinating the safe departure of political militants from Brazil, and his concern to eliminate hunger and suffering from the poorer classes, were strong credentials as he promoted dialogue between political bo...
Directory of World Cinema: Brazil
Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves. This volume seeks to introduce newcomers to Brazilian cinema and to offer valuable insights to those already well versed in the topic. It brings into sharp focus some of the most important movements, genres and themes from across the eras of Brazilian cinema, from cinema novo to musical chanchada, the road movie to cinema de bordas, avant-garde to pornochanchada. Delving deep beyond the surface of cinema, the volume also addresses key themes such as gender, indigenous and diasporic communities and Afro-Brazilian identity. Situating Brazilian cinema within the country's changing position in the global capitalist system, the essays consider uneven modernization, class division, dictatorship, liberation struggles and globalization alongside questions of entertainment and artistic innovation.
