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The second volume of Gerhard Schmidberger's biographical generational novel begins during the National Socialist era and does not stop at the present day. Scarred by betrayal, war and death, parts of the family survive and carry on the tradition on several continents, sometimes without knowing about each other. The family's experiences are invaluable in countering the further dangers that could threaten the youngest generations in a future Europe ...
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
Seit 1648 lebt die Familie Weixelgartner auf dem Oama-Hof. Oama bedeutet so viel wie frei. Sie waren also freie Bauern, keine Leibeigenen. Gerhard Schmidberger geht in seiner ersten Veröffentlichung dem Leben der eigenen Vorfahren und jenen seiner Frau auf den Grund und erforscht dabei, was sie möglicherweise erduldet und erlebt haben. Ein wichtiges Anliegen ist ihm, darzustellen, wie die einfache, bäuerliche Bevölkerung unter den vielen Kriegen, die die Adligen veranlasst haben, leiden musste, wie die kleinen Bauern verheizt wurden für Kriege, von denen sie oft kaum verstanden hatten, wofür sie geführt wurden. Dies soll kein Tatsachenbericht sein, sondern eine Darstellung der Begebenheiten, wie er sich vorstellt, dass sie vor langer Zeit gewesen sein könnten.
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