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Grady Hendrix Slipcase
Two of Grady Hendrix's most beloved horror novels, collected together for the first time: The Final Girl Support Group and How to Sell a Haunted House. Ever wonder what happens to those Final Girls? After the cops eliminate them as suspects, after the press releases their brace-faced, bad-hair-day photos. For Lynette Tarkington, it's been a support group with five other final girls. Close to twenty years. Today's the last day for group, and maybe the final day for all of them, because someone's been planning a nasty surprise for a long time. When their parents both die in a car accident, Louise and Mark Joyner are devastated but nothing can prepare them for how bad things are about to get. The two siblings are almost totally estranged:. now, however, they don't have a choice but to get along. They need to get their childhood home on the market as soon as possible, yet the house has morphed into a hoarder's paradise, and before they died their parents nailed shut the attic door...
Witchcraft for Wayward Girls
"Superb ... a perfect horror for our imperfect age.” – The New York Times AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER They were never girls, they were witches . . . . They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, frightened, and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicam...
We Sold Our Souls
“A gloriously over-the-top scare fest that has hidden depths. Readers will root for Kris all the way to the explosive, poignant finale.”—Publishers Weekly From the New York Times best-selling author of The Southern Book Club’s Guide to Slaying Vampires. Only a girl with a guitar can save us all. Every morning, Kris Pulaski wakes up in hell. In the 1990s she was lead guitarist of Dürt Würk, a heavy-metal band on the brink of breakout success until lead singer Terry Hunt embarked on a solo career and rocketed to stardom, leaving his bandmates to rot in obscurity. Now Kris works as night manager of a Best Western; she’s tired, broke, and unhappy. Then one day everything changes—...
Toxic Nostalgia on Screen
Toxic Nostalgia on Screen examines our understanding of nostalgia and its misuses in the present cultural environment. Twenty original essays show how undead memory has become an embodiment of monstrous imagined histories and ideologies that dictate the way we live today so that tomorrow is not the future, but a never-ending return to the past.
Why I Love Horror
A captivating anthology and heartfelt tribute to the horror genre featuring essays from several of the most celebrated contemporary horror writers including, Grady Hendrix, Paul Tremblay, Stephen Graham Jones, Josh Malerman, Victor LaValle, Tananarive Due, and Rachel Harrison. For twenty-five years, Becky Siegel Spratford has worked as a librarian in Reader Advisory, training library workers all over the world on how to engage their patrons and readers, and to use her place as a horror expert and critic to get the word out to others; to bring even more readers into the horror fold. Why I Love Horror is a love letter to the horror genre from many of the most influential and bestselling authors in the industry.
Apex Magazine Issue 94
Apex Magazine is a monthly science fiction, fantasy, and horror magazine featuring original, mind-bending short fiction from many of the top pros of the field. New issues are released on the first Tuesday of every month. EDITORIAL Words from the Editor-in-Chief—Jason Sizemore FICTION Luminaria—John Hornor Jacobs Waste—Mary Elizabeth Burroughs Jesus Christ, Reanimator—Ken MacLeod NONFICTION Interview with Author John Hornor Jacobs—Andrea Johnson Books Worth Your Time—Apex Staff Interview with Cover Artist Caroline Jamhour—Russell Dickerson
Risk in Children’s Adventure Literature
Risk in Children’s Adventure Literature examines the way in which adults discuss the reading and entertainment habits of children, and with it the assumption that adventure is a timeless and stable constant whose meaning and value is self-evident. A closer enquiry into British and American adventure texts for children over the past 150 years reveals a host of complexities occluded by the term, and the ways in which adults invoke adventure as a means of attempting to get to grips with the nebulous figure of ‘the child’. Writing about adventure also necessitates writing about risk, and this book argues that adults have historically used adventure to conceptualise the relationship between...
Chinese Film Festivals
This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.
