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Strange Attractor
An intellectual biography of one of the most celebrated and yet least understood figures of the late twentieth century, Terence McKenna. A stand-up philosopher who made a unique contribution to science, humanism, and the hidden arts, Terence McKenna (1946–2000) was the twentieth century’s psychedelic Renaissance man. Perfecting his rugged philosophy on the role of psychedelics in evolution, consciousness, and time, McKenna was a riotous charmer who stalked the shadows, but also sought the iridescence. More than twenty years since his untimely passing, McKenna has an enduring magnetism across the virtual pop stream, in pervasive digitization, and within social media networks. In Strange A...
Pop Pagans
Paganism is rapidly becoming a religious, creative, and political force internationally. It has found one of its most public expressions in popular music, where it is voiced by singers and musicians across rock, folk, techno, goth, metal, Celtic, world, and pop music. With essays ranging across the US, UK, continental Europe, Australia and Asia, 'Pop Pagans' assesses the histories, genres, performances, and communities of pagan popular music. Over time, paganism became associated with the counter culture, satanic and gothic culture, rave and festival culture, ecological consciousness and spirituality, and new ageism. Paganism has used music to express a powerful and even transgressive force in everyday life. 'Pop Pagans' examines the many artists and movements which have contributed to this growing phenomenon.
The Lyre of Orpheus
The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
Phantasmagoria of the Uncanny
Phantasmagoria of the Uncanny: Nomadism, Technique and Aesthetics in the Psychedelic Rave examines the psychedelic rave music and culture with a focus on the multiday phantasmagoric events organized in mountains, deserts, beaches, and other exotic destinations. Using mobile and multi-sited ethnography, the author follows the routes of a diverse group of Greek EDM and party enthusiasts across the festival map of psychedelic-trance gatherings, including Hungary, Morocco, and Greece, with the aim of investigating the revelatory experience of the chemical psychedelic raving. By situating the rave experience within the phantasmagoria of the festival – a dreamworld par excellence of the alien an...
Tribal Fantasies
This transnational collection discusses the use of Native American imagery in twentieth and twenty-first-century European culture. With examples ranging from Irish oral myth, through the pop image of Indians promulgated in pornography, to the philosophical appropriations of Ernst Bloch or the European far right, contributors illustrate the legend of "the Indian." Drawing on American Indian literary nationalism, postcolonialism, and transnational theories, essays demonstrate a complex nexus of power relations that seemingly allows European culture to build its own Native images, and ask what effect this has on the current treatment of indigenous peoples.
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Technomad
A cultural history of global electronic dance music countercultures, Technomad explores the pleasurable and activist trajectories of post-rave culture. The book documents an emerging network of techno-tribes, exploring their pleasure principles and cultural politics. Attending to sound system culture, electro-humanitarianism, secret sonic societies, teknivals and other gatherings, intentional parties, revitalisation movements and counter-colonial interventions, Technomad investigates how the dance party has been harnessed for transgressive and progressive ends - for manifold freedoms. Seeking freedom from moral prohibitions and standards, pleasure in rebellion, refuge from sexual and gender ...
