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The Right to Love
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The Scientist Turned Spy
The incredible story of an explorer caught up in international intrigue at the dawn of US history André Michaux was the most accomplished scientific explorer of North America before Lewis and Clark. His work took him from the Bahamas to Hudson Bay, and it is likely that no contemporary of his had seen as much of the continent. But there is more to his story. During his decade-long American sojourn, Michaux found himself thrust into the middle of a vast international conspiracy. In 1793, the revolutionary French government conscripted him into its service as a secret agent and tasked him with organizing American frontiersmen to attack Spanish-controlled New Orleans, seize control of Louisiana, and establish an independent republic in the American West. New evidence also strongly implicates Thomas Jefferson in this plot. Drawing on sources buried in the vault of the American Philosophical Society, Patrick Spero offers a bona fide page-turner that sheds new light on an incipient American political climate that fostered reckless diplomatic ventures under the guise of scientific exploration, revealing the air of uncertainty and opportunity that pervaded the early republic.
An Army Wife
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Russia and Japan in the Sea of Okhotsk
Bailey describes how the Sea of Okhotsk area became integrated into a world system of economic and cultural ties between the seventeenth and nineteenth centuries. This happened primarily because of maritime explorations, travel, and trade, which led to increased connections with both Russia and Japan. Individual chapters of the book provide analyses of historical sources which describe cross-cultural encounters and changes in the Sea of Okhotsk area. This includes analyses of explorers and travelers who traversed the region for commerce, exploration, diplomacy, and possible colonization. Historical sources are explored from the different perspectives of Russians, Japanese, Indigenous peoples...
Father Stafford
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Post/modern Dracula
“Post/modern Dracula” explores the postmodern in Bram Stoker’s Victorian novel and the Victorian in Francis Ford Coppola’s postmodern film to demonstrate how the century that separates the two artists binds them more than it divides them. What are the postmodern elements of Stoker’s novel? Where are the Victorian traits in Coppola’s film? Is there a postmodern gloss on those Victorian traits? And can there be a Victorian directive behind postmodernism in general? The nine essays compiled in this collection address these and other relevant questions per the novel and the film at three distinct periods: (post)modern Victorianism, post/modernism, and finally postmodernism. Part I on...
The Image of the Jew in American Literature
Praiseworthy and complete scholarship make this the definitive work on the subject.
