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The evocative and riveting stories of four brothers—Gershom the Zionist, Werner the Communist, Reinhold the nationalist, and Erich the liberal—weave together in The Scholems, a biography of an eminent middle-class Jewish Berlin family and a social history of the Jews in Germany in the decades leading up to World War II. Across four generations, Jay Howard Geller illuminates the transformation of traditional Jews into modern German citizens, the challenges they faced, and the ways that they shaped the German-Jewish century, beginning with Prussia's emancipation of the Jews in 1812 and ending with exclusion and disenfranchisement under the Nazis. Focusing on the renowned philosopher and Ka...
The Handbook of Israel: Major Debates serves as an academic compendium for people interested in major discussions and controversies over Israel. It provides innovative, updated and informative knowledge on a range of acute debates. Among other topics, the handbook discusses post-Zionism, militarism, democracy and religion, (in)equality, colonialism, today’s criticism of Israel, Israel-Diaspora relations, and peace programs. Outstanding scholars face each other with unadulterated, divergent analyses. These historical, political and sociological texts from Israel and elsewhere make up a major reference book within academia and outside academia. About seventy contributions grouped in thirteen...
Jewish designers and architects played a key role in shaping the interwar architecture of Central Europe, and in the respective countries where they settled following the Nazi's rise to power. This book explores how Jewish architects and patrons influenced and reformed the design of towns and cities through commercial buildings, urban landscaping and other material culture. It also examines how modern identities evolved in the context of migration, commercial and professional networks, and in relation to the conflict between nationalist ideologies and international aspirations in Central Europe and beyond. Pointing to the production within cultural platforms shared by Jews and Christians, th...
Addressing Zionists in 1923, the British artist C. R. Ashbee spoke of “that preposterous Balfour Declaration whose Arabic tail you people perpetually ignore, but the lash of which you will some day feel.” His warnings received no attention at the time, nor has his radical pro-Arab Palestinian political position been researched since. One hundred years later, this art historical study asks what possibilities individual colonial actors had to influence official colonial policy. In the example of Jerusalem under British rule, Moya Tönnies analyses how three members of the British administration, Ashbee, architect Ernest Tatham Richmond, and governor Ronald Storrs, all three identifying with the International Arts and Crafts Movement, used art as a diplomatic sphere for their British colonial anti-Zionist interventions.
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The Object of Zionism is a critical study of Zionist spatial planning and the architectural fabrication of the State of Israel from the early 20th century to the 1960s and '70s. Zvi Efrat scrutinizes Israel as a singular modernist project, unprecedented in its political and ethical circumstances and its hyper-production of spatial and structural experiments. Efrat explores the construction of the State of Israel in a book that promises to become a standard reference on Israeli architectural history.
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