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Traditional Potters
This beautifully illustrated book offers a look at traditional potters and their work, and at different hand building techniques and wheel throwing practices still in use in many parts of the world. Based on personal and first-hand accounts with potters of Peru, Argentina, Mexico, Turkey, Thailand and Vietnam, this book is as much a travel diary about ceramic production as a documentary spanning nearly 25 years of interest in the craft. Specialized in ceramic analysis and ethnoarchaeology, the author shares her passion in seeking to understand the art of the people, past and present. From one region or one country to the next, the reader will learn about different traditions and organization...
Mississippian Polity and Politics on the Gulf Coastal Plain
Using research at the Pevey (22Lw510) and Lowe-Steen (22Lw511) mound sites on the Pearl River in Lawrence County, Mississippi, this book explores the social and political mechanisms by which these polities may have interacted with each other and the geographic limit to the effects of inter-polity competition.
Global Clay
For over 25,000 years, humans across the globe have shaped, decorated, and fired clay. Despite great differences in location and time, universal themes appear in the world’s ceramic traditions, including religious influences, human and animal representations, and mortuary pottery. In Global Clay: Themes in World Ceramic Traditions, noted pottery scholar John A. Burrison explores the recurring artistic themes that tie humanity together, explaining how and why those themes appear again and again in worldwide ceramic traditions. The book is richly illustrated with over 200 full-color, cross-cultural illustrations of ceramics from prehistory to the present. Providing an introduction to different styles of folk pottery, extensive suggestions for further reading, and reflections on the future of traditional pottery around the world, Global Clay is sure to become a classic for all who love art and pottery and all who are intrigued by the human commonalities revealed through art.
Plaquemine Archaeology
First major work to deal solely with the Plaquemine societies. Plaquemine, Louisiana, about 10 miles south of Baton Rouge on the banks of the Mississippi River, seems an unassuming southern community for which to designate an entire culture. Archaeological research conducted in the region between 1938 and 1941, however, revealed distinctive cultural materials that provided the basis for distinguishing a unique cultural manifestation in the Lower Mississippi Valley. Plaquemine was first cited in the archaeological literature by James Ford and Gordon Willey in their 1941 synthesis of eastern U.S. prehistory. Lower Valley researchers have subsequently grappled with where to place this culture i...
Housework
Households are, without question, the most important social units in human society. They are interactive social units whose primary concern is the day-to-day well being of their kith and kin. Households reproduce themselves and provide their members with the economic, psychological, and social resources necessary to live their lives. Although households vary enormously in size and organization, they are the fundamental social settings in which families are defined and cultural values are transmitted through a range of domestic activities and rituals. Despite their many functions, it is the range and productivity of their economic activities that determine the success, survival and well being of their members. Households are the primary production and consumption units in society and provide the vehicle through which resources are pooled, stored, and distributed to their members. Survival and reproduction is their business and the work they do determines their success.
Evolution of Production Organization in a Maya Community
In The Evolution of Production Organization in a Maya Community, Dean E. Arnold continues his unique approach to ceramic ethnoarchaeology, tracing the history of potters in Ticul, Yucatán, and their production space over a period of more than four decades. This follow-up to his 2008 work Social Change and the Evolution of Ceramic Production and Distribution uses narrative to trace the changes in production personnel and their spatial organization through the changes in production organization in Ticul. Although several kinds of production units developed, households were the most persistent units of production in spite of massive social change and the reorientation of pottery production to ...
Ceramic Materials in Archaeology
The aim of this book is to introduce students in archaeology -and others interested- to the materials that form ancient ceramics, their nature and function. It is by studying the ceramic materials, the minerals, rocks, clays, and ways they have been modified for the production of ceramics that their use by potters through the ages can be explained. It allows us a better understanding of the potter's behavior and the influences on his or her craft. The book details clay, mineral and rock formations, basic geology principles, types of analyses conducted to study raw materials, and the different processes involved in making pottery. It describes the different attributes of a ceramic paste, and the different scales one can look at it. This book is conceived as an introduction to the origin of the materials which form ceramics in an archaeological context, their selection and use by potters. It is abundantly illustrated, in color, and with many case studies.
The Colors of Clay
"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.
Drink, Power, and Society in the Andes
For more than two thousand years, drinking has played a critical role in Andean societies. This collection provides a unique look at the history, ethnography, and archaeology of one of the most important traditional indigenous commodities in Andean South America--fermented plant beverages collectively known as chicha. The authors investigate how these forms of alcohol have played a huge role in maintaining gender roles, kinship bonds, ethnic identities, exchange relationships, and status hierarchies. They also consider how shifts in alcohol production, exchange, and consumption have precipitated social change. Unique among foodways studies for its extensive temporal coverage, Drink, Power, and Society in the Andes also brings together scholars from diverse theoretical, methodological, and regional perspectives.
Anthropologica
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