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How does the elite continue to affect the evolution of local communities in the developing region of former Sovietized Europe? This book is concerned with the issue of local leadership in the countries of East-Central Europe. It is an attempt to examine, with a comparative method, the profile and the role of the local political elites (members of the Municipal Councils) in six towns in six transitional democracies of the region.
Divided into two parts, this volume includes contributions focused on both myth and some of its contemporary reflections (Part I) and the connection between myth, music and ritual (Part II). The fifteen contributions gathered here are authored by academics and researchers from Brazil, France, Poland, Mexico, South Africa and Romania. They focus on a variety of subjects, including folklore, literature, classical and traditional music, science-fiction, philosophy, and religion, among others. The volume operates with an awareness of the capital role the study of the imaginary, with all its implications, is playing in the contemporary world.
Zu Beginn des 20. Jahrhunderts machte zeitgleich mit dem Expressionismus eine neue Kunstform ihre ersten Schritte, die Bild, Sprache und Musik in sich vereinte: der Kinofilm. In Deutschland hatte die expressionistische Ästhetik einen enormen Einfluss auf dieses neue Medium, der sich in Filmen wie Das Cabinet des Dr. Caligari (1920), Der Golem (1920), Nosferatu (1922) oder Metropolis (1927) zeigt und bis heute seine Spuren hinterlassen hat. Dieser Band analysiert, wie Themen, Motive, Mythen und Ästhetik des expressionistischen Kinos der 1920er Jahre in den audiovisuellen Medien bis ins 21. Jahrhundert fortwirken und welchen Einfluss sie auf Myth Criticism oder auf populäre Gattungen wie Fantasy, Horror oder Science Fiction nach wie vor ausüben.
Can religious messages be transmitted through the media? If so, how and why? Taking these questions as its starting point, and focusing on the relationship between media and religion, this book presents an analysis of the relationship between religion and the media. It explores the inherent qualities of media communication channels and codes and the ways in which they affect the dissemination of religious messages, as well as the arguments over religion used in public discourse. The book also presents a critical analysis of church media in Slovakia, and shows that although the media do have the capacity to convey religious messages, they can only do so in a superficial manner and thus do not represent a suitable instrument for mediating deep spiritual content or serving as a vehicle for evangelization. Another key finding here is that the differences between the basic argumentation structures of the religious and secular worlds are irreconcilable, meaning that conservatives and progressives can expect little more than a basic sense of tolerance and decency from each other.
Imaging and Mapping Eastern Europe puts images centre stage and argues for the agency of the visual in the construction of Europe’s east as a socio-political and cultural entity. This book probes into the discontinuous processes of mapping the eastern European space and imaging the eastern European body. Beginning from the Renaissance maps of Sarmatia Europea, it moves onto the images of women in ethnic dress on the pages of travellers’ reports from the Balkans, to cartoons of children bullied by dictators in the satirical press, to Cold War cartography, and it ends with photos of protesting crowds on contemporary dust jackets. Studying the eastern European ‘iconosphere’ leads to the engagement with issues central for image studies and visual culture: word and image relationship, overlaps between the codes of othering and self-fashioning, as well as interaction between the diverse modes of production specific to cartography, travel illustrations, caricature, and book cover design. This book will be of interest to scholars in art history, visual culture, and central Asian, Russian and Eastern European studies.
Throughout the interwar period, America’s interest in Romania grew and encompassed not only political, diplomatic, and historical aspects but also financial, cultural, and educational contributions. Thus, the Romanian- American ties throughout the interwar period suggest innate complexity and dynamism. This volume presents novel techniques and issues examined from an interdisciplinary, multi-perspective, and intercultural outlook. These approaches are derived from ideas such as discussion, negotiation, educational, and cultural communications.
As a political model for the young democracy in interwar Romania, as a protector against threats to the sovereignty and integrity of the state, as a cultural model, and as a daily life, America represented for Romania a reference point, a factor of stability and progress. America was a model and ally of the civilized world! Unfortunately, isolated in the interwar period from the political realities on the continent, America saw how, at the end of the ‘30s, the political creation of the Paris Peace Conference collapsed, the US being invited to “abandon jazz” to enter a new war on the European continent, extended to Asia and Africa, to save civilization, alongside the UK. At the war’s ...
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