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Nadia Boulanger and Her World
The strange fate of Boulanger and Pugno's La ville morte /Alexandra Laederich --Serious ambitions : Nadia Boulanger and the composition of La ville morte /Jeanice Brooks, Kimberly Francis --From the trenches : extracts from the final issue of the Paris Conservatory Gazette /translated by Anna Lehman --From technique to musique : the institutional pedagogy of Nadia Boulanger /Marie Duchêne-Thégarid --Nadia Boulanger's 1935 Carte du tendre --36 rue Ballu : a multifaceted place /Cédric Segond-Genovesi --"What an arrival!" : Nadia Boulanger's New world (1925) --Modern French music : translating Fauré in America, 1925-1945 /Jeanice Brooks --For Nadia Boulanger : five poems by May Sarton --Fri...
The Oxford Handbook of Jewish Music Studies
The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. The chapters form a first truly global look at Jewish music, including studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. The Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.
Sounds of Survival
"Sounds of Survival tells a story of unexpected musical continuity across some of the twentieth century's most cataclysmic events. It examines an integrated Polish-Jewish musical community as its members contended with antisemitism in the 1930s, were persecuted during the Nazi occupation, and attempted to establish a renewed musical culture from the ashes of World War II and the Holocaust. Attending to these musicians from the 1920s into the 1950s, the book is a rigorous examination of Jewishness within twentieth-century Polish classical music, and the first to examine how the Holocaust was a defining event for the country's musical culture. J. Mackenzie Pierce argues that despite the nearly unimaginable violence experienced by these musicians, many of their projects and ideals were reinvited and preserved across war and genocide. Thus, he rejects the common assumption that World War II and the Holocaust were epoch-defining ruptures in Polish, Jewish, and European culture, instead showing that the midcentury was a period of fervent reinvention and cultural development in response to trauma"--
Engaging Cultural Ideologies
Engaging Cultural Ideologies offers a recontextualization of the effects of Poland’s cultural practices, especially those concerning issues such as nationalism, elitism, and race, on the genesis and performance of contemporary Polish compositions from 1918 to 1956. Based on extensive archival research that includes the first comprehensive examination of concert programs in Poland as well as a series of case studies focused on composers’ challenges in the midst of nearly constant turmoil, Bylander brings fresh insights into the public and private power struggles concerning artistic freedom that were animated by similar points of contention across seemingly diverse historical eras.
Grief, Identity, and the Arts
Death and grief have often elicited the response of creativity, from elegies and requiems to memorial architecture. Such artistic expressions of grief form the focus of Grief, Identity, and the Arts, which brings together scholars from the disciplines of musicology, literature, sociology, film studies, social work, and museum studies. While presenting one or more case studies from a range of artistic disciplines, historical periods, or geographical areas, each chapter addresses the interdependence of grief and identity in the arts. The volume as a whole shows how artistic expressions of grief are both influenced by and contribute to constructions of religious, national, familial, social, and artistic identities. Contributors to this volume: Tammy Clewell, Lizet Duyvendak, David Gist, Maryam Haiawi, Owen Hansen, Maggie Jackson, Christoph Jedan, Bram Lambrecht, Carlo Leo, Wolfgang Marx, Tijl Nuyts, Despoina Papastathi, Julia Płaczkiewicz, Bavjola Shatro, Caroline Supply, Nicolette van den Bogerd, Eric Venbrux, Janneke Weijermars, Miriam Wendling, and Mariske Westendorp.
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