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Aboriginal Women's Narratives
Due to widespread geographical and cultural displacement, Australian Aboriginal people have experienced the destruction of their identity. This identity is traditionally closely linked to the land and the people, so that Aborigines feel an intense longing to rediscover their roots and reclaim their identity. In order to do this, they need to individually reconstruct their past, for instance by writing down their life stories. Thus Aboriginal women like Ruby Langford Ginibi have embarked on a process of reconnecting with their roots through the medium of autobiography. In discussing three of these autobiographies, this book examines the role of autobiographical narrative in the process of Australian Aboriginal women reclaiming their identity.
Claiming Space for Australian Women’s Writing
This volume explores the subterfuges, strategies, and choices that Australian women writers have navigated in order to challenge patriarchal stereotypes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on crucial issues such as war and silent mourning, emergence of a Australian national heroine, racial purity and Aboriginal motherhood, communism and activism, feminist rivalry, sexual transgressions, autobiography and art of letter writing, city space and female subjectivity, lesbianism, gender implications of spatial categories, placement and displacement, dwelling and travel, location and dislocation and female body politics. Claiming Space for Australian Women’s Writing tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse.
Inscribing Difference and Resistance
Kniha Inscribing Difference and Resistance: Indigenous Women’s Personal Non-fiction and Life Writing in Australia and North America zkoumá, jak literárně-esejistická tvorba domorodých obyvatelek v USA, Kanadě a Austrálii, publikovaná v 90. letech 20. století, přispěla k formování teoretických východisek tzv. Indigenous feminism (indigenní či domorodý feminismus) a zároveň přispěla k přepsání dominantní historiografie v kontextu těchto osadnických kolonií. Rozbor textů Paully Gunn Allen a Anny Lee Walters z USA, Lee Maracle a Shirley Sterling z Kanady a Jackie Huggins a Doris Pilkington Garimara z Austrálie ukazuje, jak tyto autorky využívají hybridní, multi-žánrový styl, kombinující literární kritiku, historiografii, auto/biografické psaní a fikčně laděné příběhy, k literárnímu vyjádření své odlišné kulturní identity, transgeneračního traumatu z kolonizace a resistence vůči násilné asimilaci.
Entangled Subjects
Indigenous Australian cultures were long known to the world mainly from the writing of anthropologists, ethnographers, historians, missionaries, and others. Indigenous Australians themselves have worked across a range of genres to challenge and reconfigure this textual legacy, so that they are now strongly represented through their own life-narratives of identity, history, politics, and culture. Even as Indigenous-authored texts have opened up new horizons of engagement with Aboriginal knowledge and representation, however, the textual politics of some of these narratives – particularly when cross-culturally produced or edited – can remain haunted by colonially grounded assumptions about...
Alternatives in Biography
Kniha se zabývá texty z anglicky psaných literatur, které svým způsobem zpochybňují fiktivní, osobní či akademické žánrové konvence ve vztahu k literární auto/biografii, a spíše upozorňují na mnohoznačnost způsobů psaní o životě a konstruování subjektivity. Každá ze čtyř kapitol zkoumá specifický typ transgresivní auto/biografie: pastorální biografii v dílech Petera Ackroyda, Johna Bergera a Paula Cartera; kolaborativní auto/biografie domorodých obyvatel v Austrálii v textech Kima Scotta a Hazel Brown a Rity a Jackie Hugginsových; beletrizované autobiografie A. Newmana a Forresta Reeda; a bioregionální biografie Emily Carrové a Emmy Bell Milesové.
Sister Girl
The articles in this collection represent a decade of writing by Aboriginal historian and activist Jackie Huggins. Sister Girl examines many topics, including community action, political commitment, the tradition and the value of oral history, and government intervention in Aboriginal lives. It challenges accepted notions of the appropriateness of mainstream feminism in Aboriginal society and of white historians writing Indigenous history. Closer to home, there are accounts of personal achievement and family experience as she revisits the writing of Auntie Rita with her mother Rita Huggins - the inspiration for her lifework.
Southerly
Vols. for 1939-1944 include the Annual report of the Australian English Association; v. for 1945-1946 include the Annual report of the Sydney Branch of the English Association.
Papers of Jackie Huggins
Papers of Australian Indigenous leader, historian and author Jackie Huggins; includes personal papers of Huggins and of her parents, Rita and John Henry Huggins and other members of her family and papers relating to her books 'Auntie Rita" and 'Sister girl'; papers document Huggins' early studies in Indigenous history and women's issues, the development of her ideas through her speeches, writing, interviews and teaching; her wide ranging consultancy work and work such as her involvement with oral history projects at the National Library of Australia; her involvement on issues such as domestic violence in Australian Indigenous communities, in promoting leadership and education for her people, in social justice and with the Stolen Generations; her work on reconciliation through the Council for Aboriginal Reconciliation and Reconciliation Australia; and her work on the ATSIC Review.
Shameful Autobiographies
Writing autobiography is a risky business. What is shameful can be inadvertently rather than deliberately revealed. Yet reading autobiography can also be risky, as it may lead to the confrontation of shame in ourselves. Perhaps it is this element of risk, together with the magnetism of another person's confession of shameful experience, that make us such avid readers of autobiography. Rosamund Dalziell proposes that shame is the driving force in many Australian autobiographies. Indeed, she suggests that the representation of shame is fundamental to the autobiographical process. Shame seeks concealment-and this, she argues, explains both why this fascinating link has not before been explored ...
Labour History
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