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Choreographer Jacky Lansley has been practicing and performing for more than four decades. In Choreographies, she offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals and a close attention to space and site. Choreographies is both autobiography and archive – documenting production through rehearsal and performance photographs, illustrations, scores, process notes, reviews, audience feedback and interviews with both dancers and choreographers. Covering the author’s practice from 1975 to 2019, the book delves into an important period of change in contemporary British dance – exploring British New Dance, postmodern dance and experimental dance outside of a canonical US context. A critically engaged reflection that focuses on artistic process over finished product, Choreographies is a much-needed resource in the fields of dance and choreographic art making.
A broad-ranging account of women's roles and experience in dance, which demolishes the myth that dance is a female art form by demonstrating the way in which it is dominated by male managers, choreographers and directors. While most dancers are women, for the most part they interpret male-constructed images rather than create their own. This is not inevitable, however, the author argues; dance is a possible arena for feminist practice and women's liberation.
Dance is a marginalized art form which has frequently been ignored in the various debates about cultural practices. This book redresses the balance and opens up some important areas for discussion. Christy Adair argues that dance is an arena for feminist practice, particularly as feminism has recognized the centrality of the arts in shaping our ideas about ourselves and our society.
This highly readable introduction to dance with older people combines key debates and issues in the field with practical guidance, as well as a resources section including numerous 'toolkit materials'. Diane Amans, leading practitioner in Community Dance, provides the ideal beginners' guide for students, practitioners and dance artists alike.
Front Line is currently chosen as the set work on the GCSE Performing Arts: Dance specification. This book will be an invaluable resource. It provides material and information for both teachers and students to support study of the work. It will also be useful to those teaching dance at a range of other levels. Front Line has become something of a signature piece for the Henri Oguike Dance Company, being in demand since their first performance of it in 2002. Sanjoy Roy, writing for the journal Dance Now hailed the work as 'being in a class of its own'. Henri Oguike, a founder member of the Richard Alston Dance Company and winner of a prestigious Jerwood Award for young choreographers in 1997,...
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This book contains information about the following people: Ken Jacobs, Owen Land (George Landow), Bruce Conner, David Brooks, Werner Schroeter, Philippe Garrel, Luc Moullet, Raul Ruiz. Warren Sonbert, Curt McDowell, Lizzie Borden, Sally Potter, Joel DeMott and Jeff Kreines, Laurence Jarvik, Orson Welles.
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