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Pieter de Graeff (1638-1707) and his treffelyke bibliotheek
On 9 July 1709, over 2,300 books were sold at a public auction at the shop of the publishing family Boom in Amsterdam. They comprised the ‘beautiful library’ (treffelyke bibliotheek) of the patrician Pieter de Graeff (1638–1707), member of a prominent regent family. This monograph draws on unpublished archival sources and De Graeff’s book auction catalogue to explore his library and its significance. While tracing the microhistories of De Graeff’s relatives against the backdrop of the Dutch Republic’s unfolding history, this research reveals his book collection as a microcosmos of knowledge accumulated through generations. De Graeff’s boeken kamer -- the library room in his Amsterdam residence – is also investigated and visualized through computer graphics, resulting in an online, interactive and annotated 3D model.
Painters’ Playbooks in the Art Market of Early Modern Amsterdam
The art market in seventeenth-century Amsterdam is renowned as a competitive, multi-layered arena where diverse artists catered to a broad and varied clientele. How did this intricate market function? How did individual painters navigate this system, making business and artistic decisions that eventually gave shape to the so-called ‘Golden Age’ of Dutch art? Existing economic and art historical methodologies have fallen short of providing holistic explanations. Painters’ Playbooks introduces an innovative socio-spatial approach, using digital methods to examine the art market, shedding light on the artistic development in seventeenth-century Amsterdam. By synthesizing various historical sources digitally, this book delves into artists’ collective behaviours – or the ‘playbooks’ – discernible in their location choices, social relations, and use of house interiors. Analysing historical data through a socio-spatial lens, this book illustrates how the changes in artists’ playbooks not only shaped the multi-layered market structure but also influenced artistic innovation in seventeenth-century Amsterdam.
The Portraitist
This full-length biography offers a view into seventeenth-century Haarlem, where Hals lived and worked, and this culturally rich era of the Dutch Republic. Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail a...
The Familial State
The 17th century was called the Dutch 'Golden Age'. Over the course of 80 years, the tiny United Provinces of the Netherlands overthrew Spanish rule and became Europe's dominant power. In this book, Julia Adams explores the role that Holland's great families played in this dramatic history.
