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Identifying 'permissive populism', the trickle down of permissiveness into mass consumption, as a key feature of the 1970s, Leon Hunt considers the values of an ostensibly 'bad' decade and analyses the implications of the 1970s for issues of taste and cultural capital. Hunt explores how the British cultural landscape of the 1970s coincided with moral panics, the troubled Heath government, the three day week and the fragmentation of British society by nationalism, class conflict, race, gender and sexuality.
From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present. Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action s...
Famines and the Making of Heritage is the first book to bring together groundbreaking research on the role of European famines in the nineteenth and twentieth centuries in relation to heritage making, museology, commemoration, education, and monument creation. Featuring contributions from famine experts across Europe and North America, the volume adopts a pioneering transnational perspective, and discusses issues such as contestable and repressed heritage, materiality, dark tourism, education on famines, oral history, multidirectional memory, and visceral empathy. Questioning why educational curricula and practices in schools and on heritage sites are region- or nation-oriented or transnatio...
Eccentric, ironic and fantastic series like The Avengers and Danger Man, with their professional secret agents, or The Saint and The Persuaders, featuring flamboyant crime-fighters, still inspire mainstream and cult followings. Saints and Avengers explores and celebrates this television genre for the first time. Saints and Avengers uses case studies to look, for example, at the adventure series' representations of national identity and the world of the sixties and seventies. Chapman also proves his central thesis: that this particular type of thriller was a historically and culturally defined generic type, with enduring appeal, as the current vogue for remaking them as big budget films attests.
I ran away from my family and my real life back in Country Z to start over, but to only return seven years later to the same problems. I tried to live my life as quietly as possible, but with my luck, I ran into my ex-boyfriend, ex-crush, and old enemies within the first few days of returning. "What is this? How can you use me and leave me!" "Do you not have any shame?" I sneered. Mu Yi grasped my hands covering his mouth, giving them a light peck with his lips. "I can be more shameless, unless..." Please let me live quietly! Wait, what did I hear on the news? The mafia group, The Kings, are making headlines for the recent killings in Country Z? Impossible, they disappeared three years ago, ...
In the summer of 1847, over four hundred ships arrived in the Gulf of St Lawrence, carrying Irish men, women, and children who were fleeing the starvation and misery of the Great Potato Famine. Tens of thousands of famine refugees rebuilt their lives in different parts of Canada, in places urban and rural, Anglophone and Francophone. Though still a young province within the British Empire, Canada would be marked permanently and in significant ways by this mass migration. Canada and the Great Irish Famine examines how people confronted, experienced, and remembered the famine migration. Essays consider the transatlantic voyage; the collection of donations and organization of aid; the challenge...
FOR THE FIRST TIME EVER, THE LIFE STORY OF ONE OF THE GREAT TELEVISION AND STYLE ICONS Peter Wyngarde: the name elicits memories of an actor with worldwide renown and instantly adhesive star quality, who was to hit his professional zenith via his starring roles in the smash hit TV series, Department S, and its equally successful spin-off, Jason King. However, when this imperial phase of his career took a downturn during the mid-1970s, he stoically dusted himself off and returned to the theatre--the scene of so many of his earliest triumphs. There he enjoyed continued success until a late-period revival came with the role of General Klytus in the 1980 blockbuster, Flash Gordon. Ordinarily, th...
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