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This book explores the formative correlations and inventive transmissions of Anglophone Arab representations ranging from early 20th century Mahjar writings to contemporary transnational Palestinian resistance art. Tracing multiple beginnings and seminal intertexts, the comparative study of dissonant truth-making presents critical readings in which the notion of cross-cultural translation gets displaced and strategic unreliability, representational opacity, or matters of act advance to essential qualities of the discussed works' aesthetic devices and ethical concerns. Questioning conventional interpretive approaches, Markus Schmitz shows what Anglophone Arab studies are and what they can become from a radically decentered relational point of view. Among the writers and artists discussed are such diverse figures as Rabih Alameddine, William Blatty, Kahlil Gibran, Ihab Hassan, Jabra Ibrahim Jabra, Emily Jacir, Walid Raad, Ameen Rihani, Edward Said, Larissa Sansour, and Raja Shehadeh.
Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same ‘hybrid’, ‘exilic’, and ‘dias...
The semi autobiographical work chronicles the adventures of two young men, Khalid and Shakib, who leave Lebanon for the United States to find work as peddlers in Lower Manhattan. After mixed success at immersing themselves in American culture, the two return to the Middle East at a time of turmoil following the Young Turk Revolution in the Ottoman Empire. Khalid attempts to integrate his Western experiences with Eastern spiritual values, becoming an absurd, yet all too serious, combination of political revolutionary and prophet. The Book of Khalid offers readers a heady mix of picaresque, philosophical dialogue, and immigrant story. In this critical edition, Fine includes the text of the original 1911 edition, a substantial glossary, and supplemental essays by leading Rihani scholars. Demonstrating the reach and significance of the work, these essays address a variety of themes, including Rihani’s creative influences, philosophical elements, and the historical context of the novel. Attracting a new generation of readers to Rihani’s innovative work, this edition reveals his continued resonance with contemporary Arab American literature.
The rich history and culture of the Arab American people is found in the passionate works of its artists. Whether they be traditional media such as painting and calligraphy, or more sophisticated media such as digital work and installation, the pieces represent the beauty of heritage, the struggles of growing up in war-torn countries, the identity conflicts of female artists in male-dominated societies, and the issues surrounding migration to a Western culture very different from one's own. Many of the artists included here, though their works appear in museums and galleries throughout the world, have never before been featured in a reference book. Interviews conducted by the author provide a personal look into the experiences and creative processes of these artists. Artists included: *Etel Adnan *Wasma Chorbachi *Nihad Dukhan *Kahlil Gibran *Sari Khoury *Emily Jacir *Sari Khoury *Mamoun Sakkal *Mary Tuma *Madiha Umar *Afaf Zurayk
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A TOUCHING MEMOIR OF ART AND MARRIAGE IN BOSTON’S VIBRANT SOUTH END In Love Made Visible, Jean Gibran portrays her role as spouse of a gifted artist and their often stormy family life together in Boston’s diverse South End. In the process, she vividly recalls to life the prolific Boston Expressionist art scene to which the South End was home. Retracing the course of her fifty-year marriage to sculptor Kahlil Gibran, cousin of the noted poet Gibran Kahlil Gibran, she reflects on the trials and joys of defying conventions of the 1950s, embracing another culture, raising a child in the household of a driven artist, and enabling her husband’s passion for sculpture and craft. Like her “mo...
The fascinating history of the Telfair, featuring 114 representative pieces of fine and decorative art from its vast collection, all superbly reproduced and thoroughly annotated.