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ONE OF TIME'S 100 MUST-READ BOOKS OF THE YEAR • A GOODREADS MOST ANTICIPATED BOOK • Examining capitalism’s toxic creep into the land, our bodies, and our thinking, this incisive new work is “a visceral exploration” (Katherine May, author of Wintering) from a National Book Award finalist and a powerful literary mind. "A wrenching, loving and trenchant examination of feminism, nuclear weapons production, healthcare, queerness and American life" —Alexander Chee, author of How to Write an Autobiographical Novel For Jenn Shapland, the barrier between herself and the world is porous; she was even diagnosed with extreme dermatologic sensitivity—thin skin. Recognizing how deeply vulner...
FINALIST FOR THE NATIONAL BOOK AWARD 'Fascinating and intimate' OBSERVER 'Lucid, distilled, honest' MAGGIE NELSON 'Gorgeous, symphonic, tender' CARMEN MARIA MACHADO How do you tell the real story of someone misremembered - an icon and idol - alongside your own? Jenn Shapland's celebrated debut is both question and answer: an immersive, surprising exploration of one of America's most beloved writers, alongside a genre-defying examination of identity, queerness, memory and love. Interweaving her own story with McCullers', Shapland shows us how the writers we love and the stories we tell about ourselves make us who we are. 'A moving record of love at the margins' NEW YORKER 'A call to arms to reappraise past lives' THE TIMES
People are fascinating, but finding the best biography, autobiography, or memoir can be tough with so many to choose from. Linda Maxie (Library Lin) examined hundreds of recommended books about people to offer guidance on which books to select. In this survey, you will find · Forty subject-specific chapters of recommended biographies, autobiographies, and memoirs; · Classic biographies that have withstood the test of time; · Recent titles featuring people living impacted by current events; · Inspiring biographies and memoirs of all sorts; · Suggestions for further reading. Why waste time searching for books to read when you could have hundreds of excellent titles with their summaries at your fingertips? Let Library Lin be your guide to artists, world leaders, athletes, actors, royalty, activists, and so many more.
A groundbreaking global history of gender nonconformity Today’s narratives about trans people tend to feature individuals with stable gender identities that fit neatly into the categories of male or female. Those stories, while important, fail to account for the complex realities of many trans people’s lives. Before We Were Trans illuminates the stories of people across the globe, from antiquity to the present, whose experiences of gender have defied binary categories. Blending historical analysis with sharp cultural criticism, trans historian and activist Kit Heyam offers a new, radically inclusive trans history, chronicling expressions of trans experience that are often overlooked, like gender-nonconforming fashion and wartime stage performance. Before We Were Trans transports us from Renaissance Venice to seventeenth-century Angola, from Edo Japan to early America, and looks to the past to uncover new horizons for possible trans futures.
Locating Black girls’ desires, needs, knowledge bases, and lived experiences in relation to their social identities has become increasingly important in the study of transnational girlhoods. Black Schoolgirls in Space pushes this discourse even further by exploring how Black girls negotiate and navigate borders of blackness, gender, and girlhood in educational spaces. The contributors of this collected volume highlight Black girls as actors and agents of not only girlhood but also the larger, transnational educational worlds in which their girlhoods are contained.
This volume presents a collection of critical essays that center women’s friendship in women’s literary and artistic production. Analyzing cultural portrayals of women’s friendships in fiction, letters, and film, these essays collectively suggest new models of literary interpretation that do not prioritize heterosexual romance. Instead, this book represents friendships as mature and meaningful relationships that contribute to identity formation and political coalition. Both the supportive and competitive aspects of friendships are shown to be crucial to women’s identities as individuals, political citizens, and artists. Addressing the complexities of how 20th- and 21st-century cultural texts construe women’s friendships as they navigate patriarchal institutions, this collection advances scholarship on friendship beyond men and masculine models.
The Routledge Companion to Literature of the U.S. South provides a collection of vibrant and multidisciplinary essays by scholars from a wide range of backgrounds working in the field of U.S. southern literary studies. With topics ranging from American studies, African American studies, transatlantic or global studies, multiethnic studies, immigration studies, and gender studies, this volume presents a multi-faceted conversation around a wide variety of subjects in U.S. southern literary studies. The Companion will offer a comprehensive overview of the southern literary studies field, including a chronological history from the U.S. colonial era to the present day and theoretical touchstones, while also introducing new methods of reconceiving region and the U.S. South as inherently interdisciplinary and multi-dimensional. The volume will therefore be an invaluable tool for instructors, scholars, students, and members of the general public who are interested in exploring the field further but will also suggest new methods of engaging with regional studies, American studies, American literary studies, and cultural studies.
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My Autobiography of Carson McCullers is an audacious new form of nonfiction that remakes the boundaries between criticism, biography, and autobiography in search of two identities. While working as an intern in the archives at the Harry Ransom Center, Jenn Shapland encounters the love letters of Carson and a woman named Annemarie?letters are that are tender, intimate, and unabashed in their feelings. Shapland recognizes herself in the letters¿ language?but does not see Carson as history has portrayed her. And so, Shapland is compelled to undertake a recovery of the full narrative and language of Carson's life: She wades through the therapy transcripts; she stays at Carson¿s childhood home,...