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Jeremy Gilbert-Rolfe
  • Language: en

Jeremy Gilbert-Rolfe

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

None

Jeremy Gilbert-Rolfe
  • Language: en
  • Pages: 6

Jeremy Gilbert-Rolfe

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

None

Signs of Change
  • Language: en
  • Pages: 468

Signs of Change

  • Type: Book
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  • Published: 1996-02-22
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  • Publisher: SUNY Press

This is a collection of essays focusing on conventions of change in the arts, philosophy, and literature.

Beauty and the Contemporary Sublime
  • Language: en
  • Pages: 188

Beauty and the Contemporary Sublime

  • Categories: Art

This book offers an unpredictable, humorous, and politically unconstrained perspective on today's heated debates about the meaning and role of beauty in art and contemporary society.

Art After Deconstruction
  • Language: en
  • Pages: 176

Art After Deconstruction

  • Type: Book
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  • Published: 2011
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  • Publisher: Unknown

In 1999 the artist and art critic Jeremy Gilbert-Rolfe published the now classic Beauty and the Contemporary Sublime. The book was an alternative history of art and its relationship to technology and an argument for the return of beauty in contemporary art. It was seen as part of a whole wave of books advocating the revival of aesthetics in the wake of postmodernism. Gilbert-Rolfe's book wasunusual, however, in that it made its case using the same French theory as the postmodernism it opposed. Art after Deconstruction continues Gilbert-Rolfe's argument for the return of aesthetics in contemporary art.

Nonrepresentation (The Show of the Essay) by Jeremy Gilbert-Rolfe
  • Language: en

Nonrepresentation (The Show of the Essay) by Jeremy Gilbert-Rolfe

  • Type: Book
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  • Published: 1989
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  • Publisher: Unknown

None

The Disciplinary Frame
  • Language: en
  • Pages: 565

The Disciplinary Frame

Photography can seem to capture reality and the eye like no other medium, commanding belief and wielding the power of proof. In some cases, a photograph itself is attributed the force of the real. How can a piece of chemically discolored paper have such potency? How does the meaning of a photograph become fixed? In The Disciplinary Frame, John Tagg claims that, to answer these questions, we must look at the ways in which all that frames photography—the discourse that surrounds it and the institutions that circulate it— determines what counts as truth. The meaning and power of photographs, Tagg asserts, are discursive effects of the regimens that produce them as official record, documenta...

Cuts
  • Language: en
  • Pages: 341

Cuts

  • Categories: Art
  • Type: Book
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  • Published: 2021-08-03
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  • Publisher: MIT Press

Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts—the most comprehensive collection of his writings yet published—appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or l...

Albright-Knox Art Gallery--the Painting and Sculpture Collection
  • Language: en
  • Pages: 390

Albright-Knox Art Gallery--the Painting and Sculpture Collection

  • Categories: Art

This catalogue documents all the paintings and sculptures that have been added in the last 15 years to the Albright-Knox Art Gallery in America.

Lynda Benglis
  • Language: en
  • Pages: 359

Lynda Benglis

  • Categories: Art

In four decades of abstract art practice, Lynda Benglis has not merely challenged the status quo. She has tied it in knots, melted it down and poured it across the floor, cast it in glass, clay and bronze. Daring and sometimes outrageous, her intense and provocative practice has produced some of the most iconic pieces of art from the late twentieth century. Richmond gives serious critical attention to work often dismissed as trivial and rootless, recovering the themes that link the different phases of the artist's quest to capture the 'frozen gesture'. Whether challenging popular tastes and definitions of art with her 1970s abstract knotwork or mocking puritanical aesthetics of gender with h...