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This book explores how the novels by Virginia Woolf and Jean Rhys - To the Lighthouse (1927), The Waves (1931), Between the Acts (1941), After Leaving Mr Mackenzie (1930), Voyage in the Dark (1934) and Wide Sargasso Sea (1966) - maintain an attachment to and love for life amid disenchanting times of war and social change. Drawing from Woolf's and Rhys's personal writings and fictions, Talviste demonstrates that Woolf and Rhys locate this attachment to life in the moments and atmospheres of 'strange intimacy' - in sensual, affective and oddly intimate moments that function as cracks in the dominant patriarchal and imperial ideologies of Woolf's and Rhys's times. To theorise strange intimacy, this monograph rethinks the feminist works of Helene Cixous, especially her attention to materiality, affect and embodiment, in the light of contemporary affect studies and new materialism.
From debates about reparations to the rise of the welfare state, the decades following World War I saw a widespread turn across disciplines to questions about the nature and role of gifts: What is a gift? What do gifts mean and do? Which individuals and institutions have the authority to give? Marshalling wide-ranging interdisciplinary research, Returning the Gift argues that these questions centrally shaped literary modernism. The book begins by revisiting the locus classicus of twentieth-century gift theory — the French sociologist Marcel Mauss's 1925 essay, The Gift: The Form and Reason for Exchange in Archaic Societies. His title notwithstanding, the gift Mauss envisions is not primiti...
Virginia Woolf, Europe, and Peace: Transnational Circulations enlarges our understanding of Virginia Woolf’s pacifist ideology and aesthetic response to the World Wars by re-examining her writings and cultural contexts transnationally and comparatively through the complex interplay between modernism, politics, and aesthetics. The “transnational” paradigm that undergirds this collection revolves around the idea of transnational cultural communities of writers, artists, and musicians worldwide who were intellectually involved in the war effort through the forging of pacifist cultural networks that arose as a form of resistance to war, militarism, and the rise of fascism. The book also of...
Virginia Woolf's deep and creative interest in materiality is not only illuminated by but precedes current theorisations of objects, things and matter - among them, new materialism, object-oriented ontology and thing theory. Through both critical and creative engagements, contributors explore the possibilities and limitations of these theoretical accounts: what new readings they afford; what they say that Woolf has already shown us; and how Woolf goes beyond or can't be fully captured by these ideas. This volume thus gathers various, sometimes even contradictory, approaches on the topic; in turn, it emphasises congruences and tensions in theoretical, literary and cultural interpretations of Woolf's material investments. What emerges in Virginia Woolf - Objects, Things, Matter is an account of how Woolf reveals things to be vital, active and strange by refiguring the relationship between subject and object and, at times, even inverting, subverting or redefining those very terms.
Contemporary Sport Management, Eighth Edition, examines core functions, current trends, and career opportunities in sport management. Using expertise from a diverse team of contributors, this introductory text covers the essentials for entering the profession of sport management and sport business.
Shortlisted for the AATSEEL 2022 Award for Best Edited Multi-Author Scholarly Volume (AATSEEL is The American Association of Teachers of Slavic and East European Languages) Theory in the "Post" Era brings together the work and perspectives of a group of Romanian theorists who discuss the morphings of contemporary theory in what the editors call the “post” era. Since the Cold War's end and especially in the third millennium, theorists have been exploring the aftermath - and sometimes just the “after” - of whole paradigms, the crisis or “passing” of anthropocentrism, the twilight of an entire ontological and cultural “condition,” as well as the corresponding rise of an antagoni...
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"This collection tells a story of disciplinary disorder; Disciplining Modernism brings together a group of leading scholars from various disciplines to confront the terminological confusion in the use of modernism and modernity across disciplines, including anthropology, history, the visual arts, literary studies, comparative literature, film studies, Caribbean studies, sociology, and economics. These fourteen essays use artifacts as different as a Catholic pilgrimage shrine, a Caribbean sculpture, a Chinese poet, and the internal combustion engine to explore the uses and the limits of modernism and modernity, undisciplining modernist studies in the process. As Susan Stanford Friedman puts it in her Afterword to the collection, 'Disciplining Modernism might just as aptly have been titled Undisciplining Modernism.'" --Book Jacket.