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Joel & Ethan Coen
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The Films of Joel and Ethan Coen
Filmmaker brothers Joel and Ethan Coen got their start in the independent film business in 1984 with their debut feature Blood Simple, which won the award of Best Dramatic Feature at Sundance in 1985 and was hailed as one of the best films of the year by the National Board of Review. Since their early success, the Coen Brothers have built a name for themselves and gone on to create other big-name movies such as Raising Arizona, Fargo, and The Big Lebowski. This book is a comprehensive account of these four films and Miller's Crossing, Barton Fink and The Hudsucker Proxy. Production information and in-depth analysis and critique are provided, as well as discussions on how each movie functions in the broader context of the Coens' work, and the themes, strategies, and motifs often utilized by the Coens.
Joel and Ethan Coen
With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextual references. R. Barton Palmer argues that the Coen oeuvre forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers' unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus of this book.
The Brothers Grim
In 1984 Joel and Ethan Coen burst onto the art-house film scene with their neo-noir Blood Simple and ever since then they have sharpened the cutting edge of independent film. Blending black humor and violence with unconventional narrative twists, their acclaimed movies evoke highly charged worlds of passion, absurdity, nightmare realms, and petty human failures, all the while revealing the filmmakers' penchant for visual jokes and bravura technical strokes. Their central characters may be blind to reality and individual flaws, but their illusions, dreams, fears, and desires map the boundaries of their worlds—worlds made stunningly memorable by the Coens. In The Brothers Grim: The Films of ...
Almost an Evening
These three short plays by Oscar-winning screenwriter Coen explore the theme of hell--both on earth and in the hereafter. Clever, provocative, and engaging, these plays showcase yet another talent from one of the most celebrated contemporary writers.
The Coen Brothers
Collected interviews with the quirky and distinctive writer/director team of such films as Raising Arizona, Intolerable Cruelty, and Barton Fink
The Coen Brothers Encyclopedia
Joel and Ethan Coen have written and directed some of the most celebrated American films of the last thirty years. The output of their work has embraced a wide range of genres, including the neo-noirs Blood Simple and The Man Who Wasn’t There, theabsurdist comedy Raising Arizona, and the violent gangster film Miller’s Crossing. Whether producing original works like Fargo and Barton Fink or drawing on inspiration from literature, such as Charles Portis’ True Grit or Cormac McCarthy’s No Country for Old Men, the brothers put their distinctive stamp on each film. In The Coen Brothers Encyclopedia, all aspects of these gifted siblings as writers, directors, producers, and even editors—...
Joel & Ethan Coen
(Limelight). An analysis of the Coen oeuvre through O Brother, Where Art Thou? (2000). The authors, German film critics, include a previously unpublished interview with the filmmaking brothers on their off-center work in genres they both satirize and pay tribute to: film noir, horror, screwball comedy, and buddy escapade. As Ethan Coen says: "We grew up in America, and we tell American stories in American settings within American frames of reference. Perhaps our way of reflecting our system is more comprehensible to non-Americans because they already see the system as something alien." Well illustrated.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Joel and Ethan Coen
The revised and updated edition of this pocket-guide to perhaps the finest filmmakers working in America today. Features an introductory essay on the Coens along with an analysis and discussions of each of their films, including a consideration of their latest works Intolerable Cruelty and The Ladykillers.
