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An analysis of the history and methodology of the pre-Bach baroque fugue.
Analysing novels and autobiographies from Bach's Germany, this book presents new insights into the lives, mindset and status of musicians.
Well illustrated, accessibly presented, and drawing on a comprehensive range of historical documents, including British, German and other European images, and literary as well as non-literary texts (many previously unconsidered in this context), this study offers the first interdisciplinary gendered assessment of early modern performing itinerant healers (mountebanks, charlatans and quacksalvers). As Katritzky shows, quacks, male or female, combined, in widely varying proportions, three elements: the medical, the itinerant and the theatrical. Above all, they were performers. They used theatricality, in its widest possible sense, to attract customers and to promote and advertise their pharmac...
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Essays on authors of the German Baroque period, defined in varied ways to include the expression of a worldview that stresses extremes, the formulation of tension between desires, the Counter-Reformation, and the art of courtly culture. Discusses the further developments of the genres of the first half of the seventeenth century, including lyric poetry, tragedies, school plays and novels.
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