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Pictures of Slavery in Church and State
"Pictures of Slavery in Church and State" written by a minister of the Methodist Episcopal Church and a leading U.S. abolitionist at the time, John Dixon Long (1817 – 1894), is considered to be one of the most influential readings in abolitionist circles. Dixon debated in his book the issue of slavery, breaking the silence on what was openly discussed as hypocrisy and cowardice of the Methodist religious hierarchy, given their founders' adamant prescriptions against slavery in the early doctrines of the Methodist Episcopal Church. Contents: What Is Southern Slavery, and Who Are Slaves Methodist Episcopal Church and Slavery The Conference Report The Mischievous Colt Abolitionist Love of Military Titles Going in Debt Aunt Phillis Popular Preachers in the South Rum and Slavery The Wicked Slave The Foreign Slave-trade The Great American Republic Tobacco and Slavery Slavery and Novels The Baltimore Conference Slavery and White Labor Maryland Hospitality Personal Incidents The Fourth of July A Dying Babe in Jail Testimony of John Wesley Against Slavery
Together Let Us Sweetly Live
Together Let Us Sweetly Live THE SINGING AND PRAYING BANDS By Jonathan C. David UNIVERSITY OF ILLINOIS PRESS Copyright © 2007 the Board of Trustees of the University of Illinois All right reserved. ISBN: 978-0-252-07419-6 List of Hymn Notations...............................................................................ix Preface..............................................................................................xi Map..................................................................................................xxi Introduction.........................................................................................1 1. Alfred Green (1908-2003).....................................
Encyclopedia of African American Music
African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and pop...
African American Folklore
African American folklore dates back 240 years and has had a significant impact on American culture from the slavery period to the modern day. This encyclopedia provides accessible entries on key elements of this long history, including folklore originally derived from African cultures that have survived here and those that originated in the United States. Inspired by the author's passion for African American culture and vernacular traditions, African American Folklore: An Encyclopedia for Students thoroughly addresses key elements and motifs in black American folklore-especially those that have influenced American culture. With its alphabetically organized entries that cover a wide range of...
Still Letting My People Go
Eli Washington Caruthers’s unpublished manuscript, American Slavery and the Immediate Duty of Southern Slaveholders, is the arresting and authentic alternative to the nineteenth-century hermeneutics that supported slavery. On the basis of Exodus 10.3—“Let my people go that they may serve me”—Caruthers argued that God was acting in history against all slavery. Unlike arguments guided largely by the New Testament, Caruthers believed that the Exodus text was a privileged passage to which all thinking on slavery must conform. As the most extensive development of the Exodus text within the field of antislavery literature, Caruthers’s manuscript is an invaluable primary source. It is especially relevant to historians’ current appraisal of the biblical sanction for slavery in nineteenth-century America because it does not correspond to characterizations of antislavery literature as biblically weak. To the contrary, an analysis of Caruthers’s manuscript reveals a thoroughly reasoned biblical argument unlike any other produced during the nineteenth century against the hermeneutics supporting slavery.
In the Hands of Strangers
In the Hands of Strangers is a collection of sixty-seven documents by writers and witnesses from the past, both black and white, that offer perspectives on the trade and movement of slaves. Many elucidate the long-standing discord between North and South over the issue of slavery. Documents are divided into three parts that cover the African slave trade, the internal U.S. slave trade, and the series of conflicts and crises that led to the Civil War. They cover a variety of topics including the forced transport of slaves throughout East Coast and Gulf Coast states, buying and selling of slaves, increasingly contentious debates over the legitimacy of slavery, and effects of the breakup of families. The volume concludes with a brilliant essay by Frederick Douglass that asks the question: &"What shall be done with the Negro?&"
Abraham Lincoln and White America
As “Savior of the Union” and the “Great Emancipator,” Abraham Lincoln has been lauded for his courage, wisdom, and moral fiber. Yet Frederick Douglass’s assertion that Lincoln was the “white man’s president” has been used by some detractors as proof of his fundamentally racist character. Viewed objectively, Lincoln was a white man’s president by virtue of his own whiteness and that of the culture that produced him. Until now, however, historians have rarely explored just what this means for our understanding of the man and his actions. Writing at the vanguard of “whiteness studies,” Brian Dirck considers Lincoln as a typical American white man of his time who bore the m...
