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Rolls of the 2nd and 3rd regiments, and of Companies B, E, F and K of the 1st regiment, Virginia cavalry: p. [423]-468.
Architecture was fundamental to the realization of welfare state policy in the Nordic countries, translating democratic ideals into concrete spatial materializations. An inclusive notion of “welfare for all” was embraced by a generation of architects, landscape architects, and planners, who labored to give physical form to ideas of equality, collectivity, and democracy, producing a vast architectural output in Scandinavia during the postwar years. Today, however, the architectural legacy of this era is contested. Welfare for all no longer enjoys the social or political consensus it once did. This publication critically engages with this contested architectural legacy and provides a nuanced portrait of postwar welfare architecture coming to terms with a contentious past and facing an uncertain future With newly commissioned photographic work by contemporary Nordic artists Based on an interdisciplinary research project by KTH Stockholm, Oslo School of Architecture, University of Copenhagen Internationally renown contributors shed light on aspects of the relationship between architecture and welfare
Originally published in 1986, this book provides an authoritative summary of late 20th Century trends which affected housing stock and a comprehensive commentary on policies which were designed to improve housing stock. The policies referred to are specific to England and Wales but the experience is relevant to other countries facing similar trends: a growth in owner-occupation, increasing problems of disrepair and low levels of investment in the housing stock. It will be on interest to those concerned with levels of investment in older urban areas, with the impact of subsidies on housing tenure, and with the role of government in controlling housing quality.
Imagine an educational television series featuring America's greatest jazz artists in performance, airing every week from 1956 to 1958 on KABC, Los Angeles. Stars of Jazz was hosted by Bobby Troup, the songwriter, pianist and vocalist. Each show provided information about the performance that heightened viewers' appreciation. The series garnered praise from critics and numerous awards including an Emmy from the Academy of Television Arts & Sciences. A landmark series visually, too, it presented many television firsts including experimental films by designers Charles and Ray Eames. All 130 shows were filmed as kinescopes. Surviving films were donated to the UCLA Film & Television Archive, where 16 shows have been restored; 29 additional shows are in the collection. The remaining 85 kinescopes were long ago discarded. This first full documentation of Stars of Jazz identifies every musician, vocalist, and guest who appeared on the series and lists every song performed on the series along with composer and lyricist credits. More than 100 photographs include images from many of the lost episodes.
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