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Witness to Reconstruction
In the wake of the Civil War, Constance Fenimore Woolson became one of the first northern observers to linger in the defeated states from Virginia to Florida. Born in New Hampshire in 1840 and raised in Ohio, she was the grandniece of James Fenimore Cooper and was gaining success as a writer when she departed in 1873 for St. Augustine. During the next six years, she made her way across the South and reported what she saw, first in illustrated travel accounts and then in the poetry, stories, and serialized novels that brought unsettled social relations to the pages of Harper's Monthly, the Atlantic, Scribner's Monthly, Appletons' Journal, and the Galaxy. In the midst of Reconstruction and in ...
Catalog of Copyright Entries. New Series
Includes Part 1, Books, Group 1, Nos. 1-155 (March - December, 1934)
Secret Histories
The eighteen essays in this volume explore Constance Fenimore Woolson’s prodigious range in period and genre as well as place, from the Great Lakes to the defeated South and across storied Europe to the Mediterranean. The whole of her professional life comes alive in this enlightening collection’s triptych. The first section, “A Writer’s Experiments,” reveals that Woolson’s play with familiar genres and unfamiliar characters began during the 1870s and extended until she died in 1894. Consistently, she tested the limits of representing women’s labor and their erotic desires. The second section, “Postbellum Souths,” follows Woolson’s travels through a land ravaged by war an...
Constance Fenimore Woolson’s Subversive Politics
This seminal study reveals how Constance Fenimore Woolson participated in debates on nineteenth-century political topics considered the province of men. She commented on the most important issues of her time: monetary policy, post-Reconstruction legal decisions, racial justice and interracial marriage, women’s rights, religious hypocrisy, environmental destruction, destabilizing international developments, and the moral character of the nation. The innovative essays in this book introduce her techniques and the political concerns that inspired her complicated art, encouraging scholars to begin the process of rereading and reanalyzing Woolson’s oeuvre to understand the compelling allegories and satires she created. The oppositional, intertextual, and referential techniques she developed allowed her to enter contested political conversations about compelling nineteenth-century problems like few women of her century, sometimes making her work political commentary as much as fiction.
