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This collection, selected from more than 140 interviews Gardner granted, presents a wealth of information on the life and art of one of America's foremost novelists. These interviews show him as a novelist, a charismatic teacher of creative writing, and a widely published scholar who has vast knowledge and who generated much literary information in his lectures and interviews. After the publication of such popular and critical successes as Grendel (1971) and The Sunlight Dialogues (1972), this philosophical writer with an enviable talent for storytelling was regarded as "a major contemporary writer." After Gardner had demonstrated that he was one of America's most prolific, versatile, and imaginative authors, he became one of its most controversial when he attacked the literary establishment in his book On Moral Fiction and in his interviews. These candid conversations reveal a man of contrasts and contradictions, a writer who, as one of his interviewers remarks, "brought to everything he did a passion that at times bordered on madness."
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Henderson analyzes all 41 of Gardner's short stories, including the neglected children's stories and the post-humously published Julius Caesar and the Werewolf (1984). Included are excerpts from an interview with Gardner, selections from one of his letters, his outline for The Warden and commentary and criticism by Howell, Cowart and other critics.
Three books in one volume: Advice and reflections on modern fiction from "one of the greatest creative writing teachers we've ever had" (Frederick Busch). In On Becoming a Novelist, John Gardner advises the aspiring fiction author on such topics as the value of creative writing workshops, the developmental stages of literary growth, and the inevitable experience of writer's block. Drawn from his two decades of experience in creative writing, Gardner balances his compassion for his students with his knowledge of the publishing industry, and truthfully relates his experiences of the hardships that lie ahead for aspiring authors. In On Writers & Writing, acclaimed novelist John Gardner discusse...
125 drawings exhibited by the Dusseldorf Museum in 1988. The collection and accompanying narrative essays tell the story of Julo Levin, artist and teacher, and the survival of the drawings. Finely reproduced color and bandw photos of Levin's work, that of his circle of friends, and, of course, that of the children. A translation from the German (1988, Dusseldorf: Claassen). An analysis of the work of American writer Gardner (1933-82), emphasizing his compositional method, as manifested in Grendel, The King's Indian, The Sunlight Dialogues, and Jason and Medeia. Revised from a 1985 doctoral dissertation at Olso University. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
""All my life," John Gardner wrote, weeks before his death in a motorcycle accident, "I've lived flat-out. As a motorcycle racer, chemist, writer...I was never cautious." This goes for John Gardner the critic as well, and that is nowhere more evident than in the pieces collected in this book." "On Writers and Writing brings together, for the first time, John Gardner's essays and reviews on his fellow writers and reaffirms his status as one of the most intelligent, generous, and insightful critics of his generation. In piece after piece we see Gardner, the consummate teacher and critic, separating novelistic wheat from chaff, genuine fiction from fakery, examining the work of writers he admir...
Since Ursula Andress's white-bikini debut in Dr No, 'Bond Girls' have been simultaneously celebrated as fashion icons and dismissed as 'eye-candy'. But the visual glamour of the women of James Bond reveals more than the sexual objectification of female beauty. Through the original joint perspectives of body and fashion, this exciting study throws a new, subversive light on Bond Girls. Like Coco Chanel, fashion's 'eternal' mademoiselle, these 'Girls' are synonymous with an unconventional and dynamic femininity that does not play by the rules and refuses to sit still; far from being the passive objects of the male gaze, Bond Girls' active bodies instead disrupt the stable frame of Bond's voyeu...
Shanghai, long known as mainland China's most cosmopolitan city, is today a global cultural capital. This book offers the first in-depth examination of contemporary Shanghai-based art and design - from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. Informed by years of in-situ research, the book looks beyond contemporary art's global hype to reveal the socio-political tensions accompanying Shanghai's transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Case studies reveal how Shanghai's global aesthetic constructs glamorising artifices that mask the conflicts between vying notions of foreign-influenced modernity and anti-colonialist nationalism, as well as the city's repressed socialist past and its consumerist present.
As a student at DePauw University in 1952, John Gardner kept a notebook to which he gave the seemingly playful title Lies! Lies! Lies! The journal offers a revealing glimpse into the youthful mind of a brilliant writer. While contemplating his upcoming marriage, and entering a writing contest (in which he is pulling for another DePauw student, a future writer named John Jakes), Gardner ruminates on his prodigious readings in Dumas, Fielding, Swift and Thackeray, and records a series of boyish college pranks, all the more amusing for the sophisticated intelligence of the perpetrator. Introduced by novelist Thomas Gavin (himself a former student of Gardner), this is the first publication of this journal, in any form, anywhere. It is reproduced here in a facsimile edition, preserving the writer's clear and fastidious penmanship, followed by a printed transcription of the text.