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Star of stage and screen, cultural ambassador, civil rights and political activist--Josephine Baker was defined by the various public roles that made her 50-year career an exemplar of postmodern identity. Her legacy continues to influence modern culture more than 40 years after her death. This new collection of essays interprets Baker's life in the context of modernism, feminism, race, gender and sexuality. The contributors focus on various aspects of her life and career, including her performances and public reception, civil rights efforts, the architecture of her unbuilt house, and her modern-day "afterlife."
Idiosyncratic essays use their “exploded” forms to examine how inquiry functions Insect galls, time, memory systems, orgone energy, and a bookstore that doesn’t yet exist. These disparate topics have persistently fascinated scholar Jonathan P. Eburne, yet each defied his previous efforts at classification through scholarly writing, resulting in five essays suspended in process. In Exploded Views, Eburne returns to these essays with the metaphorical tool of the exploded-view diagram, expanding them into entirely new, hybrid forms that unpack their inspirations and trace the wayward paths they followed. An experiment into the nature of inquiry that spelunks, rather than shies from, the r...
James Kopf approaches the phenomenon of music from the level of perception, as opposed to presuming a definition of music as either prima facie known or gleaned solely from a specific cultural tradition. Methodologically, this work draws from phenomenology, particularly the field of modern phenomenology as inaugurated by Edmund Husserl and its promulgation by Martin Heidegger, sound studies, and, in terms of rhetorical style, deconstruction, though it considers the work of thinkers from a wide variety of other fields, from Theodor Reik’s psychoanalysis to archaeology and beyond. The author charts a path forward into a more ethical understanding of music and listening in the age of global capitalism, one that tolerates difference and uniqueness across the perceived divides of culture, time, species, and matter. In pursuing this path, the possibility of musical experiences to be emergent in aural spaces historically deemed "non-musical" is considered: the space between notes of a chorale, breaks between movements, aboriginal sonic practices ignored or scorned by colonial logic, a forest rent by fracking, and even bodily noises.
Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.
A vital and timely reminder that modern life owes as much to outlandish thinking as to dominant ideologies What do the Nag Hammadi library, Dan Brown’s The Da Vinci Code, speculative feminist historiography, Marcus Garvey’s finances, and maps drawn by asylum patients have in common? Jonathan P. Eburne explores this question as never before in Outsider Theory, a timely book about outlandish ideas. Eburne brings readers on an adventure in intellectual history that stresses the urgency of taking seriously—especially in an era of fake news—ideas that might otherwise be discarded or regarded as errant, unfashionable, or even unreasonable. Examining the role of such thinking in contemporar...
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Investigates links between avant-garde art and the aesthetics of crime in order to bridge the gap between high modernism and mass culture, as emblematised by tabloid reports of unsolved crimes. This book helps us consider whether art itself is a form of murder.
Over 20,000 descendants of John Robey (1455-1515) of Castle Donningnton, Leicestershire, England. R0032HB - $117.50
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