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Jordan Kantor
The works of San Francisco-based artist Jordan Kantor (born 1972) explore relationships between photography and painting in contemporary culture. Equal parts artist's book and catalogue raisonné, this first monograph offers a visual tour through the last decade of Kantor's conceptually driven practice and includes a wide-ranging conversation between the artist and Yve-Alain Bois. [N.B. This title is also associated with ISBN 9780989832052. A second ISBN, 9781949484007, is correct and up-to-date, and to be used in cataloguing.]
Jordan Kantor
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Bookwork
“There they rest, inert, impertinent, in gallery space—those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled.” So begins Bookwork, which follows our passion for books to its logical extreme in artists who employ found or simulated books as a sculptural medium. Investigating the conceptual labor behind this ...
Drawing Investigations
Using close visual analysis of drawings, artist interviews, critical analysis and exegesis, Drawing Investigations examines how artists use drawing as an investigative tool to reveal information that would otherwise remain unseen and unnoticed. How does drawing add shape to ideas? How does the artist accommodate to challenges and restraints of a particular environment? To what extent is a drawing complementary and continuous with its subject and where is it disruptive and provocative? Casey and Davies address these questions while focusing on artists working collaboratively and the use of drawing in challenging or unexpected environments. Drawing Investigations evaluates the emergence of a w...
A Companion to Arthur C. Danto
A Companion to Arthur C. Danto paints a detailed portrait of one the most significant figures in twentieth-century philosophy and art criticism, offering unparalleled coverage of all aspects of Danto’s writings, artworks, and thought. Edited by two long-time colleagues of Arthur Danto, this interdisciplinary resource presents more than 40 original essays from both prominent Danto scholars and leading practitioners from various sub-fields of philosophy. The Companion illuminates Danto’s many contributions to the artworld, aesthetics, criticism, and philosophy of knowledge, action, science, history, and politics. The essays explore central concepts and intersecting themes in Danto’s writ...
Drawing from the Modern: 1945-1975
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
Talking Art
In Talking Art, acclaimed ethnographer Gary Alan Fine gives us an eye-opening look at the contemporary university-based master’s-level art program. Through an in-depth analysis of the practice of the critique and other aspects of the curriculum, Fine reveals how MFA programs have shifted the goal of creating art away from beauty and toward theory. Contemporary visual art, Fine argues, is no longer a calling or a passion—it’s a discipline, with an academic culture that requires its practitioners to be verbally skilled in the presentation of their intentions. Talking Art offers a remarkable and disconcerting view into the crucial role that universities play in creating that culture.
The Hotline
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Neue Deutsche Malerei
One of the most important artistic movements in recent years is chronicled and showcased in this dynamic work.Born in Germany in the years following the collapse of the Communist regime, the New Leipzig School started when a group of classmates at the Leipzig Academy rediscovered figurative art. Their paintings reflected the melancholy that pervaded East Germany as it struggled with capitalism, high unemployment and depopulation. Fifteen year later, paintings by the Leipzig school and its related movement, Dresden Pop, are conquering the international art market. The authors take on this important trend one painter at a time. They examine each artist's oeuvre on its own merit and consider various factors behind the movements--the onset of the digital age, social disillusionment and individual protest. Breathtaking reproductions allow readers to form their own ideas about what constitutes and drives new German painting, and understand its significance around the world.
