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At present, when most new buildings in our cities are huge glass boxes, it is hard to make out what they mean. Only a few decades ago, it was easier to decipher our cities. Has architecture lost the connection to public and private life that made us feel at home among buildings? This book explores the meanings that appear when architecture is observed from a political perspective. It examines how architecture has mirrored the political events and developments in Europe since the end of the Second World War, which have brought significant changes to this continent’s constitution. This analysis will show how architecture is ingrained in our lives and what meanings are generated from this relationship.
This book poses spatial violence as a constitutive dimension of architecture and its epistemologies, as well as a method for theoretical and historical inquiry intrinsic to architecture; and thereby offers an alternative to predominant readings of spatial violence as a topic, event, fact, or other empirical form that may be illustrated by architecture. Exploring histories of and through architecture at sites across the globe, the chapters in the book blur the purportedly distinctive borders between war and peace, framing violence as a form of social, political, and economic order rather than its exceptional interruption. Regarding space and violence as co-constitutive, the book’s collected...
Cities are built over the remnants of their past buried beneath their present. We build on what has been built before, whether over foundations formalising previous permanency or over the temporal occupations of ground. But what happens when you shift a city - when you dislodge its occupation of ground towards a new ground, bury it and forget it? Focusing on Berlin’s destruction during World War II and its reconstruction after the end of the war, this book offers a rethinking of how the practices of destruction and burial combine to reform the city through geography and how burying a city is intricately tied to forgetting destruction, ruination and trauma. Created from 25 million cubic met...
As the site of royal coronations, Reims cathedral was a monument to French national history and identity. But after German troops bombed the cathedral during World War I, it took on new meaning. The French reimagined it as a martyr of civilization, as the rupture between the warring states. Despite a history of mutual respect, the bombing of the cathedral caused all social, scientific, artistic, and cultural ties between Germany and France to be severed for decades. The resulting battle of words and images stressed the differences between German Kultur and French civilisation. Artists and intelligentsia caricatured this entrenched cultural dichotomy, influencing portrayals of the two nations...
A chilling account of the tradeoff we are willing to make between interactive media technologies and the power of others to watch over--and control--us. This brave new world of electronic marketing and consumption actually lulls consumers into blissful ignorance of how that usage can be--and is being--monitored.
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Includes Transactions of the auxiliary to the Medical Society of the State of North Carolina and Proceedings of the North Carolina Public Health Association
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