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The Technique of Film and Video Editing
  • Language: en
  • Pages: 360

The Technique of Film and Video Editing

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

Provides the theory, history and thought processes behind film and video editing through in-depth analyzes of many films, both old and new. The book advises on how careful editing for pacing, clarity, continuity and sound affect the viewer's perceptions and the ultimate success of the sequence.

The Technique of Film and Video Editing
  • Language: en
  • Pages: 420

The Technique of Film and Video Editing

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

On film editing

The Technique of Film and Video Editing
  • Language: en
  • Pages: 785

The Technique of Film and Video Editing

  • Type: Book
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  • Published: 2018-12-07
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  • Publisher: Routledge

This updated sixth edition of The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Ken Dancyger puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice across a range of genres, including action, comedy, drama, documentary and experimental forms, featuring analysis of dozens of classic and contemporary films. This new sixth edition includes new chapters on the influence of other media on the editing form, on the importance of surprise in editing, on the contributions of Robert Altman to the art of editing and on the experimental documentary. This edition also includes expanded coverage in technology, creative sound, point of view, and the long take. New case studies explore Whiplash (2014), Room (2015), Lincoln (2012), Tangerine (2015), The Beaches of Agnès (2008), American Sniper (2014), Son of Saul (2015), The Revenant (2015), and many more.

The Palgrave Handbook of Screenwriting Studies
  • Language: en
  • Pages: 832

The Palgrave Handbook of Screenwriting Studies

This book provides an overview of the growing field of screenwriting research and is essential reading for both those new to the field and established screenwriting scholars. It covers topics and concepts central to the study of screenwriting and the screenplay in relation to film, television, web series, animation, games and other interactive media, and includes a range of approaches, from theoretical perspectives to in-depth case studies. 44 scholars from around the globe demonstrate the range and depths of this new and expanding area of study. As the chapters of this Handbook demonstrate, shifting the focus from the finished film to the process of screenwriting and the text of the screenplay facilitates valuable new insights. This Handbook is the first of its kind, an indispensable compendium for both academics and practitioners.

Global Scriptwriting
  • Language: en
  • Pages: 264

Global Scriptwriting

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Writing the Short Film
  • Language: en
  • Pages: 371

Writing the Short Film

  • Categories: Art
  • Type: Book
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  • Published: 2012-09-10
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  • Publisher: CRC Press

One of the few screenwriting books on the challenging short-form genre

The Aesthetics of Digital Montage
  • Language: en
  • Pages: 295

The Aesthetics of Digital Montage

  • Categories: Art

Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema.

Storytelling for Film and Television
  • Language: en
  • Pages: 184

Storytelling for Film and Television

  • Categories: Art
  • Type: Book
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  • Published: 2019-04-30
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  • Publisher: Routledge

Storytelling for Film and Television is a theory and practice book which offers a definitive introduction to the art of storytelling through writing, directing, and editing. Author Ken Dancyger provides a comprehensive explanation of the tools that underpin successful narrative filmmaking and television production. The book takes a unique approach by connecting the different phases of the creative process of film and television production. It shows how writing, directing, and editing all contribute to the process of storytelling and function together to advance the narrative goals of a screenplay, to tell the best story. A case study approach provides numerous examples of effectiveness and b...

Directing
  • Language: en
  • Pages: 725

Directing

  • Type: Book
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  • Published: 2014-06-20
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  • Publisher: CRC Press

Directing: Film Techniques and Aesthetics is a comprehensive manual that has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. It emphasizes low-cost digital technology, which allows cutting-edge creativity and professionalism on shoestring budgets. And, recognizing that you learn best by doing, the book includes dozens of practical hands-on projects and ac...

Points of Viewing Children's Thinking
  • Language: en
  • Pages: 304

Points of Viewing Children's Thinking

This book is about learning and ethnography in the context of technologies. Simultaneously, it portrays young people's "thinking attitudes" in computer-based learning environments, and it describes how the practice of ethnography is changing in a digital world. The author likens this form of interaction to "the double helix," where learning and ethnography are intertwined to tell an emergent story about partnerships with technology. Two school computer cultures were videotaped for this study. Separated not only by geography -- one school is on the east coast of New England and the other on the west coast of British Columbia on Vancouver Island -- they are also separated in other ways: ethnic...