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A Cultural History of Color in the Modern Age
A Cultural History of Color in the Modern Age covers the period 1920 to the present, a time of extraordinary developments in colour science, philosophy, art, design and technologies. The expansion of products produced with synthetic dyes was accelerated by mass consumerism as artists, designers, architects, writers, theater and filmmakers made us a 'color conscious' society. This influenced what we wore, how we chose to furnish and decorate our homes, and how we responded to the vibrancy and chromatic eclecticism of contemporary visual cultures.The volume brings together research on how philosophers, scientists, linguists and artists debated color's polyvalence, its meaning to different cult...
The Cult of St Ursula and the 11,000 Virgins
The cult of St Ursula and the 11,000 virgins was one of the most popular and relic-rich of all saints’ cults in the medieval period. This volume constitutes the first interdisciplinary collection of essays in English to explore the development and transmission of the legend of St Ursula in detail, considering a wealth of different sources including physical remains, literary texts, artistic representations and medieval music.
A Critical Companion to Old Norse Literary Genre
A comprehensive guide to a crucial aspect of Old Norse literature.
The Routledge Research Companion to the Medieval Icelandic Sagas
The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.
From Rus' to Rímur
From Rus' to Rímur, volume 65 in the Islandica series and simultaneously an issue in the occasional journal New Norse Studies, offers six contributions that range across Europe from East to West and across three categories: "Historical Studies," "Literary Studies," and "New Editions." The volume opens with a historical-onomastic study of the Varangian presence in Medieval Rus' and proceeds to the Isle of Man for a consideration of its population's "ethnogenesis" in the tenth and eleventh centuries. Literary studies and fresh translations follow to return our attention to the remarkable creativity in sagas and poetry that was an especially rich province of Norse and Icelandic culture. Contributors: Matthew Bardowell, Brynja orgeirsdóttir, Francesco Colombo, Caitlin Ellis, Eric A. Haley-Halinski, Shaun F. D. Hughes, Jonathan Y. H. Hui, Philip Lavender, Anna Litvina, James McIntosh, Dirk H. Steinforth, Fjodor Uspenski.
Reading the Old Norse-Icelandic “Maríu saga” in Its Manuscript Contexts
Maríu saga, the Old Norse-Icelandic life of the Virgin Mary, survives in nineteen manuscripts. While the 1871 edition of the saga provides two versions based on multiple manuscripts and prints significant variants in the notes, it does not preserve the literary and social contexts of those manuscripts. In the extant manuscripts Maríu saga rarely exists in the codex by itself. This study restores the saga to its manuscript contexts in order to better understand the meaning of the text within its manuscript matrix, why it was copied in the specific manuscripts it was, and how it was read and used by the different communities that preserved the manuscripts.
Scandinavica
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Midnight Surrender
Dara Rochambeau has been caught in a deadly plot and branded a traitor to the French king. As part of a plan to prove her innocence, she disguises herself as a nun. But no ruse can protect her from the notorious Wolfram, an English knight known for boldness in love--and war.
Women and Slavery: Africa, the Indian Ocean world, and the medieval north Atlantic
The particular experience of enslaved women, across different cultures and many different eras is the focus of this work.
Viking Women
At first glance, several literary portrayals of Viking Age women represent them as kings, as warriors, and as inciters of violence, which seems to contradict the image of the passive, housebound female figure. However, those images need to be read and re-interpreted with a measured critical suspicion. For example, several scholars have argued that those images tell little about the real history of Scandinavian and European women but instead represent fantasies expressed by later male authors. In contrast to the literary portrayals, Viking Age women and European women in the Middle Ages stayed at home and were not allowed to let their voices be heard publicly. In this groundbreaking study by ...
