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Putting Greece back on the cultural and political map of the “Long 1960s,” this book traces the dissent and activism of anti-regime students during the dictatorship of the Colonels (1967-74). It explores the cultural as well as ideological protest of Greek student activists, illustrating how these “children of the dictatorship” managed to re-appropriate indigenous folk tradition for their “progressive” purposes and how their transnational exchange molded a particular local protest culture. It examines how the students’ social and political practices became a major source of pressure on the Colonels’ regime, finding its apogee in the three day Polytechnic uprising of November 1973 which laid the foundations for a total reshaping of Greek political culture in the following decades.
The concept of transition occupies an awkward place within scholarship on contemporary European history. Seemingly unable to decipher the complex factors shaping the processes of democratization, it risks appearing redundant as a framework for understanding recent and on-going political developments. In European Perspectives on Transition, Pablo Sánchez León and Agustín Cosovschi prove otherwise, offering a pioneering and much-needed conceptual history of transition from a comparative perspective. Bringing together eight case studies on transitional discourse, ranging from the so-called Third Wave of Southern Europe in the 1970s to the regime changes in Central and Eastern Europe, this volume models a vital new way for studying temporality and transition within Europe.
How do different generations remember the democratic transitions in the post-authoritarian European South fifty years later, and why does it matter? A Collective Biography of Southern European Democratization shows how individual, family, and country histories intersect in the transitions to democracy in Portugal, Greece, and Spain.
How is solidarity understood by the people who practice it actively and daily? What is the role of solidarity in reconciling the relationship of individuals with the collective demands of communities that fight for the rights of others? Based on a variety of anthropological, sociological, and philosophical writings as well as ethnographic research, Maria Giannoula takes an elaborated look at the emotional and spiritual aspects of political participation within an activist group in Greece in the 2010s. This study is a valuable resource for those researching social movements and alternative communities, focusing on the ways in which individuals organise their own forms of activism.
In 1969 Greece withdrew from the Council of Europe (CoE), following pressure exercised by various European countries, organisations, social movements and individuals in response to the brutal conduct of the military junta that had taken power by force on 21 April 1967. This volume brings together an international cast of noted historians, oral historians, political scientists, and legal scholars to investigate the perceptions, policies and roles of the key actors involved. These figures range from international organizations, states, and social movements to NGOs and individuals, critically demonstrating the extent of the legacy and long-term impact of the 'Greek Case' on international human rights. The 1969 'Greek Case' in the Council of Europe reveals how the pressure applied by the Council of Europe proved to be crucial for the international condemnation of the Colonels' regime, setting a precedent in international human rights cases for the significance of the collection of evidence on the use of torture.
This history of emancipatory left-wing politics examines the border-crossing uprisings of the 1960s, on both sides of the Cold War divide.
‘This extraordinary collection is a game-changer. Featuring the cutting-edge work of over forty scholars from across the globe, The Routledge Handbook of the Global Sixties is breathtaking in its range, incisive in analyses, and revolutionary in method and evidence. Here, fifty years after that iconic "1968," Western Europe and North America are finally de-centered, if not provincialized, and we have the basis for a complete remapping, a thorough reinterpretation of the "Sixties."’ —Jean Allman, J.H. Hexter Professor in the Humanities; Director, Center for the Humanities, Washington University in St. Louis ‘This is a landmark achievement. It represents the most comprehensive effort t...
The postwar period is no longer current affairs but is becoming the recent past. As such, it is increasingly attracting the attentions of historians. Whilst the Cold War has long been a mainstay of political science and contemporary history, recent research approaches postwar Europe in many different ways, all of which are represented in the thirty-five chapters of this book. As well as diplomatic, political, institutional, economic, and social history, The Oxford Handbook of Postwar European History contains chapters which approach the past through the lenses of gender, espionage, art and architecture, technology, agriculture, heritage, postcolonialism, memory, and generational change, and ...
This edited collection explores the ways in which the 2008/2009 social and economic crisis in Southern Europe affected the interpretation of the transitional past in Spain, Greece and Portugal. Discussing topics such as public memory, Europeanism and uses of the past by grassroots movements, the volume showcases how the crisis challenged consolidated perceptions of the transitions as ‘success stories’. It revisits the dominant historical narratives around Southern European transitions to democracy more than forty years since the demise of authoritarian regimes, bringing together contributors from history, cultural studies, political science and sociology.
Revolution, I Love You: 1968 in Art, Politics and Philosophy is the second in a series of MIRIAD projects investigating the revolutionary moments of the twentieth century and their ramifications for contemporary art and culture. The exhibition investigates 1968 as an interlude of liberty and global resistance, focussing on the interplay between the politics of the street, radical philosophy, and the explosion of creative responses in the period. This accompanying publication considers the interconnection of art, politics and philosophy in 1968 across a divided Europe. It is a mosaic of interviews, statements and essays by prominent theorists, historians, curators, cultural workers and artists that shows the multi-polar and interrelated experience of that extraordinary year.