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Generous and full of humour, the work of Laure Prouvost examines the relationships between language, image and perception, placing the visitors in situations of doubt and incomprehension, but also a wonder which is both intellectual and sensorial. These situations become immersive installations, inviting escapism, in a dialogue between films, sculptures, paintings, tapestries, performances. Her exhibition at the Palais de Tokyo, “Ring, Sing and Drink for Trespassing”, operates as an ode to diagonal lines, the transcending of limits and the joy of slipping over a fence to discover a wasteland or, a now-abandoned garden. Book Contents - “Little Bees Behind”: interview between Laure Pro...
An ingenious object alphabet designed to relearn human communication As an attempt to rediscover the basics of human connection in these isolated times, French artist Laure Prouvost (born 1978) has developed a new ideographic language called "Legsicon." The aim of Prouvost's project is to unlearn and relearn language and engage with new methods of communication and narrative storytelling. Challenging the conventional systems of linguistics and representation, Prouvost replaces emotive words and concepts with anthropomorphized objects which are then transcribed and translated into progressively complex lexical and linguistic tests and eventually entire narratives. Dubbed the "Re-dit-en-un-in-learning Center," Prouvost's installation based on Legsicon encouraged visitors to the Lisson Gallery in London to decode and reinterpret such narratives. This volume includes documentation of the installation and the watercolor illustrations used to demonstrate Prouvost's object alphabet, as well as a series of new stories and texts written in Legsicon commissioned by the artist from various authors.
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First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions. Laure Prouvost's art is full of wit, poetry, humor, stories, and unforeseen twists and turns. Whether in her installations, videos, or performances, she never fails to surprise and attract. Are her stories for real? Was her granddad really a conceptual artist who dug a tunnel from Europe to Africa and literally got lost in the artistic process? Prouvost's ways of working and the visu...
Généreux et plein d'humour, le travail de Laure Prouvost examine les relations entre langage, image et perception, plaçant le visiteur dans des situations de doute et d'incompréhension, mais aussi d'émerveillement intellectuel et sensoriel. Ces situations deviennent des installations immersives qui invitent à l'évasion et dans lesquelles dialoguent films, sculptures, peintures, tapisseries, performances. Son exposition au Palais de Tokyo, "Ring, Sing and Drink for Trespassing", est une ode aux chemins de traverse et au dépassement des limites, à la joie de se faufiler à travers un grillage pour découvrir un terrain vague ou un jardin aujourd'hui abandonné.
Architects and fiction writers share the same ambition: to imagine new worlds into being. Every architectural proposition is a kind of fiction before it becomes a built fact; likewise, every written fiction relies on the construction of a context in which a story can take place. This collection of essays explores what happens when fiction, experimental writing and criticism are combined and applied to architectural projects and problems. It begins with ficto-criticism – an experimental and often feminist mode of writing which fuses the forms and genres of essay, critique, and story – and extends it into the domain of architecture, challenging assumptions about our contemporary social and...
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Performing Home is the first sustained study of the ways in which artists create artworks in, and in response to, domestic dwellings. In the context of growing interest in ideas and practices that cross between architecture, arts practice and performance, it is valuable to understand what happens when artists make work in and about specific buildings. This is particularly important with domestic dwellings, which can be bound up with experiences, issues, practices and understandings of home. The book focuses on a range of recent artistic projects to identify and investigate critical ways by which artists practise domestic dwellings. In doing so, it addresses the ways in which artists enquire ...
Laure Prouvost has created an installation for the vast central hall of Haus der Kunst that comprises sculptural and filmic elements. We would be floating away from the dirty past is an installation including sculpture, video, and an ambitious spatial intervention. With her inimitable sense of humor and imaginative flair, Prouvost addresses the architectural setting of the Middle Hall in Haus der Kunst, as well as the art institution itself.Experienced together the different elements of this installation invites us to look underneath the shiny surfaces of the museum, into its forgotten past, and out to possible futures. As such Prouvost exposes the underside of the art institution, offering it up as a site for imaginative speculation.Laure Prouvost was Winner of the 2013 Turner Prize, and her work is featured in the British Art Show 8.Published on the occasion of the exhibition at Haus der Kunst, Munich, 27 November 2015 - 18 September 2016.
Provides an in-depth look at the work of Laure Prouvost, whose artistic universe addresses serious themes such as global warming and human migration with warmth, solicitude, and subtlety. Text in English and Norwegian. In Your Hands provides an in-depth look at the work of Laure Prouvost, whose artistic universe addresses serious themes such as global warming and human migration with warmth, solicitude, and subtlety. With background texts by six writers and poets, the book explores Prouvost’s art from a variety of angles. Linguistic and literary effects are an essential conceptual element in Laure Prouvost’s art – in titles and texts that are added to or accompany her collages, sculptures, textiles, video and audio works, installations, and performances. “I treat text as a material on the same level as the other artistic materials I work with,” Laure Prouvost says. Text in English and Norwegian.