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Fall From Grace
"It's time for Heaven to become a democracy." Since leaving his calling in the priesthood and saying goodbye to the church, Paul’s life has gone from bad to worse. But now, his inability to hold down a job is the least of his problems. He and his friends, sceptic extraordinaire Joseph and academic psychologist Lauren, are thrown headfirst into a celestial war that has raged on for two millennia. As a secret plot begins to unravel, the fate of thousands lies in their hands. To put things right, the three of them must venture into the Heavenly Ruling Chamber alongside those who started the rebellion two thousand years ago – and survive coming face to face with the Almighty himself. Fall from Grace speaks about faith, loss, friendship and the truths we all seek.
Leap of Faith
Leap of Faith is the second novel from Matthew Munson, following the adventures of characters we first met in Fall From Grace – human and angel alike. The lives of Paul and Joseph have changed over the past two years; Paul is on Earth, living a new life with his girlfriend, while Joseph is in heaven, living as an angel and still mourning the loss of his sister, Lauren. But war is once again on the horizon of the two worlds. Barriers between the realms are breaking down, and humans, angels and spirits have set their sights on a catastrophic course of events that will result in the destruction of everything around them. That is, unless Paul and Joseph - with some divine intervention – can stop a war between an angelic army and countless spirits.
Gender Violence, Art, and the Viewer
The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art history field has played in the past and can play in the future in education around gender violence in the arts. It asks art historians, museum educators, curators, and students to consider how, in the time of #MeToo, a public reckoning with gender violence in art can revitalize the field of art history. Contributors to this timely volume amplify the...
Soviet Soft Power in Poland
Concentrating on the formative years of the Cold War from 1943 to 1957, Patryk Babiracki reveals little-known Soviet efforts to build a postwar East European empire through culture. Babiracki argues that the Soviets involved in foreign cultural outreach tried to use “soft power” in order to galvanize broad support for the postwar order in the emerging Soviet bloc. Populated with compelling characters ranging from artists, writers, journalists, and scientists to party and government functionaries, this work illuminates the behind-the-scenes schemes of the Stalinist international propaganda machine. Based on exhaustive research in Russian and Polish archives, Babiracki’s study is the fir...
Stalinist City Planning
"Based on research in previously closed Soviet archives, this book sheds light on the formative years of Soviet city planning and on state efforts to consolidate power through cityscape design. Stepping away from Moscow's central corridors of power, Heather D. DeHaan focuses her study on 1930s Nizhnii Novgorod, where planners struggled to accommodate the expectations of a Stalinizing state without sacrificing professional authority and power. Bridging institutional and cultural history, the book brings together a variety of elements of socialism as enacted by planners on a competitive urban stage, such as scientific debate, the crafting of symbolic landscapes, and state campaigns for the development of cultured cities and people. By examining how planners and other urban inhabitants experienced, lived, and struggled with socialism and Stalinism, DeHaan offers readers a much broader, more complex picture of planning and planners than has been revealed to date."--Dust jacket.
In-action
A novel approach to performance art and its history that revisits Viennese Actionism, one of the most controversial episodes of the 1960s. Viennese Actionism represents a notorious case within art history, often cited but little studied, especially in the United States. By carefully looking at the unsettling performances that define this movement, Caroline Lillian Schopp offers a vital corrective to the narrative. Schopp observes that contrary to the reception of their graphic violence, many performances explore passivity, vulnerability, and dependence in gestures of “in-action.” Viennese Actionism registers hesitations about the liberatory ethos of the 1960s, amplified by Austria’s ma...
Habsburg Lemberg
When Austria annexed Galicia during the first partition of Poland in 1772, the province's capital, Lemberg, was a decaying Baroque town. By the outbreak of the First World War in 1914, Lemberg had become a booming city with a modern urban and, at the same time, distinctly Habsburg flavor. In the process of the "long" nineteenth century, both Lemberg's appearance and the use of public space changed remarkably. The city center was transformed into a showcase of modernity and a site of conflicting symbolic representations, while other areas were left decrepit, overcrowded, and neglected. Habsburg Lemberg: Architecture, Public Space, and Politics in the Galician Capital, 1772-1914 reveals that behind a variety of national and positivist historical narratives of Lemberg and of its architecture, there always existed a city that was labeled cosmopolitan yet provincial; and a Vienna, but still of the East. Buildings, streets, parks, and monuments became part and parcel of a complex set of culturally driven politics.
Annual Report
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