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Feelings of rootlessness, fragmentation and loneliness are endemic in today’s secular societies. In the late nineteenth century, Emile Durkheim described this kind of social malaise as anomie, a concept which this book locates within a historical narrative of the emergence of Modernism from Modernity. The book focuses on two representative figures, Benedictus de Spinoza and Vincent van Gogh, on whose work it offers some significant new perspectives. Spinoza drew up a blueprint for Modernity, which is to say, the cultural transformations that took place as a result of the Scientific Revolution and the Protestant Reformation. In counterpoint to his overriding confidence in reason, a persiste...
It is so good, after so many years of public indifference, even hostility towards Vincent and his work, to feel towards the end of my life that the battle is won.' JO VAN GOGH-BONGER TO GUSTAVE COQUIOT, 1922 'It is a sacrifice for the sake of Vincent's glory.' JO VAN GOGH-BONGER ON THE SALE OF 'THE SUNFLOWERS' TO THE NATIONAL GALLERY, UK, 1924 Little known but no less influential, Jo van Gogh-Bonger was sister-in-law of Vincent van Gogh, wife of his brother, Theo. When the brothers died soon after each other, she took charge of Van Gogh's artistic legacy and devoted the rest of her life to disseminating his work. Despite being widowed with a young son, Jo successfully navigated the male-domi...
Drawing upon theology, Jungian psychology, literature, and the history of Christian spirituality, this book shows how same-sex desire can be reflected in those close intimacy between gay men.
Art historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspondence—more than eight hundred letters—for insights into both his personal struggles and his art. But the letters, while often admired for their literary quality, have rarely been approached as literature. In this volume, Patrick Grant sets out to explore the question, “By what criteria do we judge Van Gogh's letters to be, specifically, literary?” Drawing, especially, on Mikhail Bakhtin’s conceptualization of self-awareness as an ongoing dialogue between “self” and “other,” Grant examines the ways in which Van Gogh’s letters raise, from within themselves, questions and i...
When eight year-old Leo Jansen watches Meg Kenton move in across the street, he has no idea the bossy girl will become his best friend. She is pink and sunshine and boldness, and while Leo’s family falls apart, her world is his sanctuary. Then she leaves for two years that becomes four, and Leo’s life goes to pieces. After Meg returns, lonely and doubting her worth, she looks for the boy who used to be her friend. She finds a young man she doesn’t recognize, a mean, rough troublemaker who can't stand her. Yet she’s drawn to him, and she asks God to help her reach the old Leo she used to know. She’s certain he’s still in there somewhere. But Leo is guarding dangerous secrets, and ...
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