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Phantom Lady chronicles the untold story of Hollywood's most powerful female writer-producer of the 1940s. In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and the Oscar-nominated screenwriter of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Alfred Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the "master of suspense." Forging an image as "the female Hitchcock," Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions—and defying anyone who posed an obstacle. Author Christina Lane shows how this stylish, stunning woman, with an adventurous romantic life, became an unconventional but impressive auteur, one whom history has overlooked.
By the end of the twentieth century, the idea of self-esteem had become enormously influential. A staggering amount of psychological research and self-help literature was being published and, before long, devoured by readers. Self-esteem initiatives permeated American schools. Self-esteem became the way of understanding ourselves, our personalities, our interactions with others. Nowadays, however, few people think much about the concept of self-esteem—but perhaps we should. Self-Esteem: An American History is the first historical study to explore the emotional politics of self-esteem in modern America. Written with verve and insight, Ian Miller’s expert analysis looks at the critiques of...
Children have been exploited as performers and wooed energetically as consumers throughout history. These essays offer scholarly investigations into the employment and participation of children in the entertainment industry with examples drawn from historical and contemporary contexts.
Fred Zinnemann directed some of the most acclaimed and controversial films of the twentieth century, yet he has been a shadowy presence in Hollywood history. In Fred Zinnemann and the Cinema of Resistance, J. E. Smyth reveals the intellectual passion behind some of the most powerful films ever made about the rise and resistance to fascism and the legacy of the Second World War, from The Seventh Cross and The Search to High Noon, From Here to Eternity, and Julia. Smyth's book is the first to draw upon Zinnemann's extensive papers at the Academy of Motion Picture Arts and Sciences and brings Fred Zinnemann's vision, voice, and film practice to life. In his engagement with the defining historic...
Part romantic comedy, part sitcom, part social drama, L’Auberge espagnole (The Spanish Apartment) recounts a familiar ‘youth’ ritual – the move from university to ‘the real world’, the often complicated personal, romantic and cultural encounters that ensue, and the moral uncertainties that characterize that key biological and physiological developmental stage between adolescence and adulthood. French director Cédric Klapisch showcases the extraordinary colour and beauty of Barcelona’s architecture, and places his hero Xavier at the heart of this smartly written film, which makes a series of wry observations on educational exchange programmes, multi-culturalism, and the directi...
This work is a compilation of interviews with 19 film actors, directors, and producers who were all part of the studio system that made Hollywood such a powerful and illustrious city in the era of the 1950s. Each of the celebrities interviewed for this work have made lasting contributions to the film industry, and some of them continue to do so. Pat Boone, Jeff Corey, Kathryn Grayson, Beverly Garland, Samuel Goldwyn, Jr., Jane Greer, Stanley Kramer, Janet Leigh, Joan Leslie, Sheree North, Janis Paige, Luise Rainer, Paula Raymond, John Saxon, Vincent Sherman, Robert Wise, Jane Withers, Jane Wyatt and Fred Zinnemann speak candidly about their work and experiences in Hollywood and share many of their memories. Each interview is followed by a complete filmography for each film that the actor, director, or producer was a part of, giving such information as the U.S. distributor, year of release, director, producer, screenwriter, editor, composer, running time, and cast for each film.
One of Hollywood's most heralded postwar African American movie stars, James Edwards catapulted to stardom following his breakout role in Stanley Kramer's Home of the Brave. In his groundbreaking performance as a U.S. soldier experiencing racial prejudice during combat in the South Pacific, Edwards proved that African American actors could handle serious film roles. Edwards performed on radio, television, and theatre, and appeared in two-dozen or more films, including Stanley Kubrick's breakthrough indie The Killing, John Frankenheimer's The Manchurian Candidate, and Franklin J. Schaffner's Patton. This book tells the story of Edwards' life and career, describing his unlikely climb to fame following a serious wartime injury and detailing how this native of Muncie, Indiana, paved the way for the careers of Sidney Poitier, Harry Belafonte, and other African American stars to follow.