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'A remarkable and compelling book . . . I loved it' Edmund de Waal 'Ambitious . . . a chronicle of British art, unfurled against the panoramic backdrop of 20th-century history' Sunday Telegraph In this remarkable modern history of Britain, the ebbs and flows of the twentieth century are explored through ten pivotal artworks. Each coastal piece, created between 1912 and 2015, opens a window onto the ideas that have shaped our society, from the impact of the world wars and colonialism to conceptions of class and nationhood. Bold and imaginative, Looking to Sea is an exquisite work of cultural storytelling, and a fascinating portrait of our island nation. 'At once bold and delicate, far-reaching and fine-tuned' Alexandra Harris 'Empathy and intelligence lift memoir into cultural history' Iain Sinclair
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Winner of the Saltire Society First Book Award 2016 An Economist Book of the Year 2016 A Spectator Book of the Year 2016 In 2011, Isabel Buchanan, a twenty-three-year-old Scottish lawyer, moved to Pakistan to work in a new legal chambers in Lahore. The chambers was run by a determined thirty-three-year-old Pakistani lawyer, Sarah Belal, who had finally found her calling in defending inmates on Pakistan’s death row. Belal and Buchanan struck up an unlikely friendship, forged through working in a system that was instinctively hostile to newcomers – and doubly so if they were female. At Sarah’s side, and with the help of Nasar, the firm’s legendary clerk, Buchanan plunged into the strange and complex world of Pakistan’s justice system. The work was arduous, underfunded, and dangerous. But for a young Scottish lawyer like Buchanan it was an unparalleled education, offering a window onto a much-misunderstood country and culture. Filled with beautifully drawn characters, she creates a narrative brimming with ideas and bursting with humanity. It is a story of Pakistan, but it is also a universal story of the pursuit of justice in an uncertain world.
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An exploration of national identity that considers how dominant, antiquated versions of Englishness are currently being challenged through contemporary, experimental, electronic music.