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This book re-assesses the feminist politics of Charlotte Smith (1749–1806) by prioritizing the editorial content of her fiction over the Romantic lyricism of her poetry. It describes Smith’s application of ‘patriot’-Whig discourse to the controversies of the Revolutionary era. Two constants emerge in Smith’s novelistic canon: a reform agenda endorsing partisan opposition and a social contract; and a feminist agenda foregrounding intellectual freedom. These liberal stances provide a counterpoint to a research tradition that has viewed the ups and downs of Smith’s ‘radicalism’ as need-driven responses to Revolutionary events and domestic hardships. The policy discussions embedd...
An absorbing survey of poetry written in one of the most revolutionary eras in the history of British literature This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era—Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley—as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, beginning wit...
The volume investigates the ‘voice’ of women writers in the development of literary studies, and interrogates how scholars read and teach women’s literary texts. These issues are still crucial for women’s and gender studies today and deserve to be properly investigated and constantly updated. The various essays collected here examine how, and to what extent, ‘women’, across time and space, experimented with new genres or forms of expression in order to transform, question, resist or paradoxically consolidate gender discriminations and dominant ideologies: patriarchy, colonialism, slavery and racism, imperialism, religion, and (hetero)sexuality. Women’s Voices and Genealogies in Literary Studies in English is addressed to MA and PhD students in women’s and gender studies, and to all those students or young scholars who are interested in gender methodologies as a mode of practice in literary criticism and analysis. The authors of the volume share a long-standing experience in women’s and gender studies and in teaching English women’s literature, literary criticism and feminist methodologies and theories to students from different national origins.
In the 1790s, when Charlotte Smith and Helen Maria Williams were at the peak of their critical reputations, they were known to each other and often cited together approvingly. It was Smith who provided the young William Wordsworth with a letter of introduction to Williams when he visited France in 1791 (though she had left by the time he got there). By the end of the decade Smith and Williams were being cited together more pejoratively, as two of a number of women who came to stand for the amoral, sexually suspect and politically naïve English 'Jacobins' who were vilified in the conservative press. Neither were in fact 'Jacobins' but they were revolutionary. This book looks at how Smith and Williams earned such reputations and at the politics and poetics of the works that reveal Smith to be a self-constructed Romantic and Williams as a mistress of intimate disguise.
During the last half of the eighteenth century, sensibility and its less celebrated corollary sense were subject to constant variation, critique, and contestation in ways that raise profound questions about the formation of moral identities and communities. Beyond Sense and Sensibility addresses those questions. What authority does reason retain as a moral faculty in an age of sensibility? How reliable or desirable is feeling as a moral guide or a test of character? How does such a focus contribute to moral isolation and elitism or, conversely, social connectedness and inclusion? How can we distinguish between that connectedness and a disciplinary socialization? How do insensible processes c...
One of the most popular poets of her time, Charlotte Smith revived the sonnet form in England, influencing Wordsworth and Keats. Equally popular as a novelist, she experimented with many genres, and even her children's books were highly regarded by her contemporaries. Charlotte Smith's letters enlarge our understanding of her literary achievement, for they show the private world of spirit, determination, anger, and sorrow in which she wrote. Despite her family's diligence in destroying her papers, almost 500 of Smith's letters survived in 22 libraries, archives, and private collections. The present edition makes available most of these never-before-published letters to publishers, patrons, s...
Thomas Lord was (b. ca. 1771) was a farmer and gamekeeper at Hollingworth, probably in Lancashire. He and his wife, Mary, had five children. Members of the family worked as farmers and weavers in the woolen industry. Their children immigrated to the United States in the 1840s. Their sons, Robert Lord (1801-ca. 1885), and Simeon Lea Lord (1880-1895) immigrated to New Bruswick, but Simeon returned to Connecticut, where he died. Descendants of Robert and Simeon lived in New Bruswick, Ontario, Nova Scotia, Connecticut, Massachusetts, Maine, and elsewhere.