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Paul Schrader
A searing study of an important American writer-director
Conceiving Cultures
Makes explicit anthropology's implicit project to understand the self by way of the other
Mary Stuart
Two queens. One in power. One in prison. It's all in the execution. Schiller's political tragedy takes us behind the scenes of British history's famous rivalry between Elizabeth I and Mary Queen of Scots. Written in verse and based on historical sources, Schiller's play imagines the queens' lives - one in court, the other in prison - surrounded by staff and servants. Their imagined meeting, before Mary's execution, is passionate and enthralling. Robert Icke's lean version condenses the action, cutting the cast to twelve, whilst retaining the play's symmetrical structure and tense atmosphere. In an exciting twist, the first production had two actors learn the roles of both queens, and their roles were decided at each performance by the toss of a coin. Adding a further duality to the play, this also allowed the first word of the evening to anticipate its ending:'Heads'.
Australian Film Theory and Criticism
The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies, Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, personnel, and institutions across this formative period, Noel King, Constantine Verevis, and Deane Williams examine a multitude of books and journal articles published in Australia and distributed internationally though such processes as publication in overseas journals, translation, and reprinting. At the same time, they offer important insights about the origins of Australian film theory and its relationship to such related disciplines as English, and cultural studies. Ultimately, Australian Film Theory and Criticism, Volume 1 delineates the historical implications—and reveals the future possibilities—of establishing new directions of inquiry for film studies in Australia and internationally.
Terrence Malick and the Thought of Film
Terrence Malick and the Thought of Film explores how the experience of viewing Terrence Malick's films enables imaginative acts of philosophical interpretation. Useful for both professional philosophers interested in film and scholars of cinema intrigued by philosophy, this book shows the ways Malick's films cast philosophy in new cinematic light.
Star Quality
Coward's 'forgotten' play, published to tie in with its world premiere. In his wickedly funny final play, NöeI Coward takes us behind the scenes of a new West End production. Conjuring up an authentic backstage world of talent and treachery, Coward creates a gallery of unforgettable characters; temperamental leading lady, ruthless director, jaded old troupers and, caught somewhere between them all, innocent young playwright. From tentative first rehearsal to triumphant opening night, the clash of egos becomes increasingly and hilariously bloody. But what emerges from the mayhem is a startling evocation of that most elusive gift of all - star quality. This edition, adapted by Chris Luscombe and introduced by Sheridan Morley, is published to coincide with the play's West End premiere in October 2001.
André Bazin's Film Theory
By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness, unsettling our routines in productive ways and expanding our sense of belonging to a much larger picture.
Meanjin
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Roger Sandall's Films and Contemporary Anthropology
In Roger Sandall's Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand–born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 196...
