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Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional exper...
Since early Christianity, wood, earth, water and stone were taken from loca sancta to signify them elsewhere. Unlike textual or visual representations, natural materials not only represent the Holy Land; they are part of it. This book examines the processes of their sanctification and how, although inherently abstract, they become charged with meaning.
This volume brings together scholars of history, manuscript studies, and art and architectural history to examine in conversation the varieties of medieval archival acts, the heterogeneity of collections, and the motivations of collectors. It is united by the historically flexible concept of the archive, and contributors examine material from Seville to Prague, from the early Christian period through the Reformation. Premodern collections and archival practices are increasingly becoming the subject of academic inquiry. Chapter authors investigate how institutional, communal, and familial identity accrued to material culture, including illuminated manuscripts, ecclesiastic vestments, ancient ...
Concepts of visual communication form an explanatory framework for discussing the visual expressions of urban symbolic communication in urban life in towns in the center of Europe in the late medieval and early modern period, including the dramatic times of the Reformation and Counter-Reformation. This book examines the role of images and visual representation by concentrating on the varieties of symbolic communication in towns that made a range of relationships visual: the status and role of urban civic, professional, and religious communities and the relations between the town and its lord or powerful families and individuals. The geographical framework of this book is the region in the fo...
Provenance research is so much more than a search for origin: It offers new perspectives on objects, collections, their histories, and the multifaceted relationships embedded within them. The Museum der Kulturen Basel is systematically examining its collection for coloniality and highlighting the central importance of collaborating with communities in the Global South. This work also reveals how complex and demanding ethnological provenance research is. This volume "raises groundbreaking questions that will shape ethnological provenance research in the decades to come" (George Meiu). The Museum der Kulturen Basel is one of the five state museums of the Canton of Basel-Stadt and, with a collection of over 340,000 objects from all regions of the world, it is Switzerland's largest ethnological museum. Managing this collection –acquiring, preserving, securing, exhibiting, and mediating the collection – is the core mission around which the museum's activities are centered. In recent years, provenance research and collaboration with so-called "source communities" have played a prominent role.
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Aus dem Inhalt: (insges. 14 Beitrage) M. Kobelt-Groch/C. Niekus Moore, Tod und Jenseits in der Schriftkultur der Fruhen Neuzeit S.C. Karant-Nunn, Babies, Baptism, Bodies, Burials, and Bliss: Ghost Stories and Their Rejection in the Late Sixteenth Century R. Kolb, "Life is King and Lord over Death": Martin Luther's View of Death and Dying B. Gordon, Holy and Problematic Deaths: Heinrich Bullinger on Zwingli and Luther M. Kobelt-Groch, Selig auch ohne Taufe? Gedruckte lutherische Leichenpredigten fur ungetauft verstorbene Kinder des 16. und 17. Jahrhunderts E. Labouvie, "Sanctuaires a repit." Zur Wiedererweckung toter Neugeborener, zur Erinnerungskultur und zur Jenseitsvorstellung im katholisc...
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