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Tombs of the South Asasif Necropolis
Thebes (Egypt : Extinct city); history.
Offerings to the Discerning Eye
Egyptologist Jack A. Josephson, a writer and researcher in the tradition of the gentleman scholar, has achieved broad recognition as an authority in Egyptian art history. His lucid investigative analyses have probed and redefined the limits of inquiry, expanded research parameters, and broadened perspectives, emphasizing the undeniable contributions of art history in an intra-disciplinary framework. This volume of collected essays is dedicated to Josephson by distinguished friends and colleagues, a select roster including eminent, established scholars in the field of Egyptology and rising stars of the younger generation. Josephson views Egyptian art history as a critical but neglected area of study, and is a strong proponent of its reinstatement in the academic curriculum as an essential component in the formation of new cadres. The quality of the articles in this Egyptological medley is a tribute to the honoree and an affirmation of the esteem of his peers, while the range of subjects and variety of themes addressed reflect the degree to which he has, in his own scholarship, undertaken to implement his ideal.
Servant of Mut
Richard A. Fazzini has inspired and mentored many scholars of Egyptology through his tireless efforts as curator and then chairman of the Brooklyn Museum's Deptartment of Egyptian, Classical and Ancient Middle Eastern Art (ECAMEA); field archaeologist of the Pricinct of Mut at Karnak; scholar; and teacher, The 35 contributions to this volume in his honor represent the variety of Professor Fazzini's own research interests namely in ancient Egyptian art, religious iconography, and archaeology, particularly of the New Kingdom, Third Intermediate Period, and Late Period. Reflections on Professor Fazzini's scholarship and teaching are accompanied by an extensive bibliography of his works.
صدى الخلود
The Festschrift in honor of the 70th birthday of the former Secretary General of the Egyptian "Supreme Council for Antiquities" (SCA) Gaballa Aly Gaballa comprises contributions from 23 scholars from Europe and Egypt. The here published essays cover the time span from the Egyptian Early Period to the Coptic Period, discussing archaeological and historical, as well as philological and religious issues. Researchers like Gunter Dreyer and Nabil Swelim present results of their latest excavations; several of Gaballa's many students make unknown objects from the Egyptian museum in Cairo accessible to the public for the first time; and Kenneth A. Kitchen introduces the reader to innovative as well as traditional views on the family of Ramses II., basing these investigations on his studies on the later New Kingdom periods. Old Egyptian literature is focused on in Dietrich Raue's ideas on re-dating certain events of the period, and in Zeinab Mahrous' analysis of the entry phrases of the Tale of the Doomed Prince and the Tale of Two Brothers.
Protecting Pharaoh's Treasures
Growing up in Egypt's Nile Delta, Wafaa El Saddik was fascinated by the magnificent pharaonic monuments from an early age, and as a student she dreamed of conducting excavations herself and working in the Egyptian Museum in Cairo. At a time when Egyptology was dominated by men, especially those with close connections to the regime, she was determined to succeed, and secured grants to study in Boston, London, and Vienna, eventually becoming the first female general director of the country's most prestigious museum. She launched the first general inventory of the museum's cellars in its more than hundred-year history, in the process discovering long-forgotten treasures, as well as confronting corruption and nepotism in the antiquities administration. In this very personal memoir, she looks back at the history of her country and asks, What happened to Egypt? Where did Nasser's bright new beginning go wrong? Why did Sadat fail to bring peace? Why did the Egyptians allow themselves to be so corrupted by Mubarak? And why was the Muslim Brotherhood able to achieve power? But her first concern remains: How can the ancient legacy of her country truly be protected?
Egyptian Museum collections around the worls
The Egyptian Museum in Cairo is the greatest treasure-house of ancient Egyptian art there is, but major museums--and many smaller museums--in other countries throughout the world also boast fine Egyptian collections. While archaeologists excavate the remains of pyramids, temples, and tombs, scholars at museums, universities, and other institutions are also furthering the understanding of ancient Egyptian culture through their study of the artifacts contained in the world's Egyptian galleries. To celebrate the centennial of the Egyptian Museum, which opened its doors in 1902, museum directors and Egyptologists were invited to contribute accounts of Egyptian collections or studies of Egyptian artifacts around the world. The result is an impressive array of scholarship--in all, 130 studies in English, French, German, and Arabic describing collections from Argentina to South Africa, from the Netherlands to Jordan, and dealing with predynastic palettes and Ptolemaic coins, Meroitic anklets and hieratic ostraca, stelae and linen, scarabs and wigs. The two volumes that make up Egyptian Museum Collections around the World will be an essential addition to any Egyptological library.
Ancient Asyut
Due to a poor history of research and the deprival of many of its monuments, Asyut had been forgotten for a long time. The ancient site, its town, its temples, and its necropolis had not been the focus of any archaeological interest since the 1920s. In the 1980s and 1990s some attempts to start scientifi c work in Asyut failed. Only in 2003 a new field project began: The Asyut Project. A joint mission of the Universities of Munster (2003 and 2004), Mainz (2004 up to present) and Sohag (2003 up to present). Fieldwork and studies of former research work enabled the author to reconstruct for the first time the history of the ancient necropolis, and thereby of the ancient town and its different fortunes as a city of culture, as a border town, and as a wounded city.
