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"In India, there are 650 million people under the age of 35. These are men and women who grew up with the Internet, and the advent of smartphones and social media. But when it comes to love and marriage, they're expected to adhere to thousands of years of tradition. It's that tension between obeying tradition and accepting modernity that drives journalist Mansi Choksi's [book]"--
The Handbook of Diasporic Indian Writing in English is an essential reference to Indian literature. It features alphabetical entries of Indian writers who have bridged the gap between cultures and redefined language boundaries. As the field of diasporic writing continues to expand and intersect with various branches of English and Cultural studies, it anticipates a growing market. It offers a unique and compelling perspective on the global tapestry of literature. It draws on various interdisciplinary approaches, including postcolonial theory, cultural studies, and digital humanities, to offer fresh and innovative perspectives on the literature. It is an indispensable resource for research scholars of literary studies and related disciplines, like cultural studies and postcolonial studies.
How can we understand and contest the global wave of violence against women? In this book, Alison Brysk shows that gender violence across countries tends to change as countries develop and liberalize, but not in the ways that we might predict. She shows how liberalizing authoritarian countries and transitional democracies may experience more shifting patterns and greater levels of violence than less developed and democratic countries, due to changes and uncertainties in economic and political structures. Accordingly, Brysk analyzes the experience of semi-liberal, developing countries at the frontiers of globalization--Brazil, India, South Africa, Mexico, the Philippines, and Turkey--to map o...
India is teeming with a young population that was born post-liberalisation, grew up with the internet, witnessed the advent of smartphones and social media, and is well-versed in the many dialects of a globalised pop culture. But when it comes to love and marriage, they're often disconcertingly expected to adhere to the orthodoxy of a bygone era. It's this conflict between the parallel paths of alleged tradition and mutinous modernity that drives journalist Mansi Choksi's The Newlyweds. Through vivid, lyrical prose, Choksi shines a light on three young couples who buck against patriarchy-approved arranged marriages in the pursuit of love, illustrating the challenges, triumphs and losses that...
Die zwölfte Ausgabe von Candide widmet sich dem Thema Visual Urbanism – ein vollkommen neues Forschungsfeld. Fotograf*innen und Wissenschaftler*innen experimentierten mit anthropologischen, kulturwissenschaftlichen, soziologischen und geografischen Methoden, für eine Reflexion über die meist unkritische Nutzung von Bildern des öffentlichen Raums. Candide 12 sucht Möglichkeiten, diese Ergebnisse in Architektur und Stadtplanung zu integriert. Dabei beantworten Autor*innen drängende Fragen, wie nach der Nutzbarmachung fotografischer Bilder für die Architektur und vice versa.
' Staggeringly good... Much like Lisa Taddeo's Three Women , it reads more like a novel than a piece of non-fiction... it does what all great writing should - it puts us into the world of someone else, so completely that days later I find myself missing the couples and wondering how their stories end' Marianne Power, The Times 'A profound book on the politics of love, of couples who brave everything and everyone to be together. Told with warmth, truth and humanity, Mansi Choksi's The Newlyweds is an extraordinary look at what it takes to be together in modern India' Nikesh Shukla 'Essential reading for anyone seeking to understand youth in India today - or for anyone who believes in the gala...
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