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Chivalry, Reading, and Women's Culture in Early Modern Spain
  • Language: en
  • Pages: 120

Chivalry, Reading, and Women's Culture in Early Modern Spain

The Iberian chivalric romance has long been thought of as an archaic, masculine genre and its popularity as an aberration in European literary history. Chivalry, Reading, and Women's Culture in Early Modern Spain contests this view, arguing that the surprisingly egalitarian gender politics of Spain's most famous romance of chivalry has guaranteed it a long afterlife. Amadís de Gaula had a notorious appeal for female audiences, and the early modern authors who borrowed from it varied in their reactions to its large cast of literate female characters. Don Quixote and other works that situate women as readers carry the influence of Amadís forward into the modern novel. When early modern authors read chivalric romance, they also read gender, harnessing the female characters of the source text to a variety of political and aesthetic purposes. This book analyses many versions of the romance from Spain, Portugal, France, Italy, and England and tells a new story of the life, death, and influences of Amadís.

Memory and Community in Sixteenth-Century France
  • Language: en
  • Pages: 289

Memory and Community in Sixteenth-Century France

Memory and Community in Sixteenth-Century France engages the question of remembering from a number of different perspectives. It examines the formation of communities within diverse cultural, religious, and geographical contexts, especially in relation to the material conditions for producing texts and discourses that were the foundations for collective practices of memory. The Wars of Religion in France gave rise to numerous narrative and graphic representations of bodies remembered as icons and signifiers of the religious ‘troubles.’ The multiple sites of these clashes were filled with sound, language, and diverse kinds of signs mediated by print, writing, and discourses that recalled ...

The Rabelais Encyclopedia
  • Language: en
  • Pages: 320

The Rabelais Encyclopedia

The French humanist Rabelais (ca. 1483-1553) was the greatest French writer of the Renaissance and one of the most influential authors of all time. His Gargantua and Pantagruel, written in five books between 1532 and 1553, rivals the works of Shakespeare and Cervantes in terms of artistry, complexity of ideas and expression, and historical importance. Rabelais is read in numerous courses in French Literature, Renaissance Studies, and Western Civilization, and his writings continue to attract the attention of scholars and general readers alike. The first work of its kind, this encyclopedia is a comprehensive guide to his life and writings. Included are several hundred alphabetically arranged entries by expert contributors. These entries discuss his characters, his overt and veiled references to historical and Renaissance figures and events, his literary and philosophical allusions, his major themes, and the key events and influences that shaped his career. The entries cover such topics as education, religion, censors and censorship, humanism, death, and warfare. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography.

Epic Arts in Renaissance France
  • Language: en
  • Pages: 266

Epic Arts in Renaissance France

  • Type: Book
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  • Published: 2013-12-05
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  • Publisher: OUP Oxford

Epic Arts in Renaissance France studies the relationship between epic literature and other art forms such as painting, sculpture, and architecture. Why, the book asks, the epic heroes and themes so ubiquitous in French Renaissance art are widely celebrated whereas the same period's literary epics, frequently maligned, now go unread? To explore this paradox, the book investigates a number of epic building sites, i.e. specific situations in which literary epics either become the basis for realisations in other art forms or somehow contest or compete with them. Beginning with a detour about the appearance of epic heroes (Odysseus and Aeneas) on marriage chests in fifteenth-century Florence, the...

The Pictured Word
  • Language: en
  • Pages: 356

The Pictured Word

  • Type: Book
  • -
  • Published: 1998
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  • Publisher: Rodopi

None

French Forum
  • Language: en
  • Pages: 132

French Forum

  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

None

Changing the Face of Montaigne
  • Language: en
  • Pages: 408

Changing the Face of Montaigne

Les contributions sont regroupées en 6 catégories : le portrait de Montaigne, Montaigne et sa bibliothèque, la méthode de Montaigne, Montaigne et ses lecteurs, Montaigne et mademoiselle de Gournay et Montaigne et les Anglo-saxons. Elles tâchent de répondre aux questions posées sur le visage qu'offrait l'écrivain, tant au sens littéral que figuré.

Western Reserve University Bulletin
  • Language: en
  • Pages: 86

Western Reserve University Bulletin

  • Type: Book
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  • Published: 1933
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  • Publisher: Unknown

Beginning 19 - each bulletin contains details of curricula, course description, college rules, etc., for one of the schools or colleges at Western Reserve University.

Colloquies
  • Language: en
  • Pages: 640

Colloquies

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

None

Montaigne's Career
  • Language: en
  • Pages: 216

Montaigne's Career

  • Type: Book
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  • Published: 1998
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  • Publisher: OUP Oxford

In Montaigne's age hardly anyone made a living through writing. This book examines the practical world in which he and his peers wrote in order to suggest that works like the Essays, for all the status they enjoy today as classics, neither originated in detached pursuits nor flourished as self-contained activities. From where did his wealth come? How did he spend his days at home on the family estate? How did he publish his book? Following Montaigne from his wine presses to the printing press reveals that he may have expended much more time and effort managing his family's property than has been thought, that publishing demanded he perform professional tasks such as financing, proofreading, and revising for his publisher, and finally that rather than an alternative to a political career, writing may have played an integral role in his political ambitions.