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The works of English Victorian biologist, botanical artist and painter Marianne North (24 October 1830 - 30 August 1890).
In 1871, Marianne North, a brilliant artist with a keen interest in botany, set-forth to travel the world on a quest to paint indigenous plants in their natural habitat. Encouraged by her friend Charles Darwin, North travelled by boat, train, mule, foot and palanquin to every continent except Antarctica. She circled the globe twice over fifteen years and accumulated an extensive and valuable collection of more than eight hundred paintings, which today comprise the esteemed Marianne North Gallery at the Royal Botanical Gardens at Kew, London. North--high-spirited, indefatigable, and brave--also kept detailed journals, which were posthumously published in three volumes in the late 1800s. Abundant Beauty collects the most engaging writings from those journals in one edition, including rich descriptions of botanica and delightful accounts of local people and customs from her sometimes dangerous travels. Abundant Beauty is a fascinating and informative read for botanists, gardeners, historians, and armchair travellers.
The Victorian botanist and painter Marianne North records her tropical journeys around the world in this two-volume 1892 autobiography.
This handbook provides a comprehensive overview of core areas of investigation and theory relating to the history of women and science. Bringing together new research with syntheses of pivotal scholarship, the volume acknowledges and integrates history, theory and practice across a range of disciplines and periods. While the handbook’s primary focus is on women's experiences, chapters also reflect more broadly on gender, including issues of femininity and masculinity as related to scientific practice and representation. Spanning the period from the birth of modern science in the late seventeenth century to current challenges facing women in STEM, it takes a thematic and comparative approac...
The story of nineteenth-century science often tells a tale of a masculinized professionalizing domain. Scientific man increasingly pushed women out, marginalized them and constructed them as naturally feminine creatures incapable of intellectual work, particularly scientific work. Yet many women participated in various scientific endeavours throughout the century. This work asks why, when the waters were so inviting, did women dive deeply into the swirling maelstrom of scientific practice, scientific controversies and scientific writing? Victorian women certainly recognised that male naturalists were not always willing to welcome them warmly into their inner sanctum of scientific work honour...
Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.
In 1871 Marianne North escaped the swaddling of Victorian society and departed on her first expedition to make a pictorial record of the tropical and exotic plants of the world. This abridged version of her lively travel memoirs and autobiography is illustrated in colour with a selection from her collection of over 800 pictures now housed in the Marianne North gallery at Kew.