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Christianity regards teaching as one of the most foundational and critically sustaining ministries of the Church. As a result, Christian education remains one of the largest and oldest continuously functioning educational systems in the world, comprising both formal day schools and higher education institutions as well as informal church study groups and parachurch ministries in more than 140 countries. In The Encyclopedia of Christian Education, contributors explore the many facets of Christian education in terms of its impact on curriculum, literacy, teacher training, outcomes, and professional standards. This encyclopedia is the first reference work devoted exclusively to chronicling the ...
Growing up immersed in the feminist, DIY values of punk, Riot Grrrl, and zine culture of the 1990s and early 2000s gave Eleanor Whitney, like so many other young people who gravitate towards activism and musical subcultures, a sense of power, confidence, community, and social responsibility. As she grew into adulthood she struggled to stay true to those values, and with the gaps left by her punk rock education. This insightful, deeply personal history of early-2000s subcultures lovingly explores the difficulty of applying feminist values to real-life dilemmas, and embrace an evolving political and personal consciousness. Whitney traces the sometimes painful clash between her feminist values ...
Poetry. "Rarely am I so submerged in the details of a poet's mind and world as I am with Marisa Crawford's work. It's bright and glitter roll-on scented, with a pitch-perfect 90s soundtrack. It's nostalgic, dark, surprising yet warmly familiar. I mourn for the girlhood of this book. In REVERSIBLE, Crawford has created an incredibly moving and vivid archive of growing up--part monologue, part lyric, part ethnography--distinct, striking, tender, and enchanting."--Morgan Parker "Marisa Crawford's poems give me a kind of ecstatic pleasure, as all the sensory and social strangeness of 90s youth come flooding back. I will never understand how she can remember all these details and evoke them with ...
Esteemed scholar, poet, and critic Stephanie Burt anthologizes five decades of verse for and by queer Americans. Interpreted by Burt, the poems of Frank O'Hara, Audre Lorde, Judy Grahn, James Merrill, Thom Gunn, Jackie Kay, Adrienne Rich, Chen Chen, The Cyborg Jillian Weise, and others trace a flourishing of queer life from Stonewall to today.
If "the realm of the personal and sexual has always been literary for men [...] and confessional for women," as Lori Saint-Martin puts it, Marisa Crawford's Diary explodes the literary/confessional binary, pushing the limits of what it means to write a poem, a diary entry, a marketing copy block. A woman works, walks, and writes, traversing Midtown Manhattan on a lunch break from a corporate day job: like her predecessors Frank O'Hara and Clarissa Dalloway, she sweeps through streets and stores, navigating the entangled pleasures and horrors of city life in late capitalism.
Centering on coming-of-age themes, Crawford is brutally honest yet careful in her representations and confessional moments. She invokes a preteen voice, capturing in detail female subjects. The winner of the 2008 Gatewood Prize, Crawford offers reminders that it is impossible to shake personal geographies.
Collecting the best of the underground blog Weird Sister, these unapologetic and insightful essays link contemporary feminism to literature and pop culture. Launched in 2014, Weird Sister proudly staked out a corner of the internet where feminist writers could engage with the literary and popular culture that excited or enraged them. The blog made space amid book websites dominated by white male editors and contributors, and also committed to covering literary topics in-depth when larger feminist outlets rarely could. Throughout its decade-long run, Weird Sister served as an early platform for some of contemporary literature’s most striking voices, naming itself a website that “speaks it...
Fiction. This rowdy, irreverent novel explores relationships among a community of Black women--mothers and daughters, friends and lovers--who came to Detroit in the late 1950s to work the lines at the Ford Motor plant. "HER is a novel whose words refuse to be constrained by the boundaries of its pages. Like jazz that reaches out to both heart and gut...From a central core of strong women characters, Cherry Muhanji experiments and elaborates, playing variations, solos, and combinations up and down the register. Her creation is both eye-opening and sensual"--500 Great Books by Women.
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