Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Writing Against God
Readers approaching Flannery O'Connor's work without knowledge of her Catholicism may find little evidence of it in her fiction. Yet readers who come to O'Connor's work with a prior awareness of her faith (as evidenced, for example, in her essays and correspondence) believe that her Catholicism suffuses every sentence of her fictional canon. Writing against God explores the difficulty of reconciling O'Connor's private and public insistence on the importance of Catholicism in her work with the fiction her readers encounter on the printed page. O'Connor's linguistic choices often move her fiction out of her control, producing a message in conflict with the one she stated she intended. Through a detailed examination of O'Connor's language in her two novels and in short stories that span her career, McMullen exposes a pervasive spiritual environment often in opposition to the Roman Catholic tenets O'Connor professed. Blending a reader-response approach with linguistic analysis, Writing against God offers explanations for the mysteries surrounding and the mysteries within O'Connor's fiction.
Witnessing Sadism in Texts of the American South
Looking at works by Carrie Mae Weems, Toni Morrison, Emily Dickinson, Flannery O'Connor, Dorothy Allison, Carson McCullers, and Zora Neale Hurston, Claire Raymond uncovers a pattern of femininity constructed around representations of sadistic violence in American women's literature and photography from the late nineteenth and twentieth centuries. Dickinson's poetry is read through its relationship to the Southern Agrarian critics who championed her work. While the representations of violence found in Carrie Mae Weems's installation From Here I Saw What Happened and I Cried, Morrison's Beloved, Dickinson’s poetry, O'Connor's 'A View of the Woods' and 'A Good Man Is Hard to Find,' Allison's ...
Changing the Victorian Subject
The essays in this collection examine how both colonial and British authors engage with Victorian subjects and subjectivities in their work. Some essays explore the emergence of a key trope within colonial texts: the negotiation of Victorian and settler-subject positions. Others argue for new readings of key metropolitan texts and their repositioning within literary history. These essays work to recognise the plurality of the rubric of the 'Victorian' and to expand how the category of Victorian studies can be understood.
The Fortunes of Mary Fortune
A biography of Mary Fortune, Australia's first female writer of crime fiction. She kept her identity secret by writing under the names of W.W. or Waif Wander. Arriving in Australia with her young son, she supported herself by writing about life on the goldfields and in the cities.
The Naval Miscellany
Brian Vale is a naval historian with degrees from Keele and King’s College London. A life-long member of the Society for Nautical Research and the Navy Records Society, he has long specialised in Anglo-South American maritime history. His books include Independence or Death! British sailors and Brazilian Independence, A Frigate of King George, The Audacious Admiral Cochrane and Cochrane in the Pacific: Fortune and Freedom in Spanish America.
Old Lady Mary
None
