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A revealing look at Japanese design weaving together the stories of people who shaped Japan’s design industries with social history, economic conditions, and geopolitics. From cars to cameras, design from Japan is ubiquitous. So are perceptions of Japanese design, from calming, carefully crafted minimalism to avant-garde catwalk fashion, or the cute, Kawaii aesthetic populating Tokyo streets. But these portrayals overlook the creativity, generosity, and sheer hard work that has gone into creating and maintaining design industries in Japan. In Designing Modern Japan, Sarah Teasley deftly weaves together the personal stories of people who shaped and shape Japan’s design industries with social history, economic conditions, and geopolitics.. Key to her account is how design has been a strategy to help communities thrive during turbulent times, and for making life better along the way. Deeply researched and superbly illustrated, Designing Modern Japan appeals to a wide audience for Japanese design, history, and culture.
The son of a village doctor, Rutherford Alcock trained in medicine and became a battlefield surgeon, working in Portugal and Spain during the civil wars there in the 1830s. In a major career shift, he entered the consular service, went to China, and ended up as British Minister (the equivalent of today’s ambassador) to Japan and then China. This progression was unique, indeed bizarre, especially as every senior position he got was one he specifically said he did not want. Nonetheless, he was the man who commenced Britain’s relations with Japan and introduced Japan’s arts and crafts to the UK, in addition to playing a central role in Britain’s relationship with China. He was no rampant imperialist and expressed ambivalence about Britain’s position in East Asia as he contended with intractable issues like the opium trade and how to punish attacks on British interests without starting a war. This book fills a major gap in the study of Japan’s opening to the West from a British perspective, as well as Britain’s relationship with East Asia as a whole, through the eyes of a brilliant, but complicated and contradictory figure.
This book studies the three concepts of translation, education and innovation from a Nordic and international perspective on Japanese and Korean societies. It presents findings from pioneering research into cultural translation, Japanese and Korean linguistics, urban development, traditional arts, and related fields. Across recent decades, Northern European scholars have shown increasing interest in East Asia. Even though they are situated on opposite sides of the Eurasia landmass, the Nordic nations have a great deal in common with Japan and Korea, including vibrant cultural traditions, strong educational systems, and productive social democratic economies. Taking a cross-cultural and inter...
Japanese philosophy is now a flourishing field with thriving societies, journals, and conferences dedicated to it around the world, made possible by an ever-increasing library of translations, books, and articles. The Oxford Handbook of Japanese Philosophy is a foundation-laying reference work that covers, in detail and depth, the entire span of this philosophical tradition, from ancient times to the present. It introduces and examines the most important topics, figures, schools, and texts from the history of philosophical thinking in premodern and modern Japan. Each chapter, written by a leading scholar in the field, clearly elucidates and critically engages with its topic in a manner that ...
The formal diplomatic relations between Japan and Western nations dawned when the first American consul-general Townsend Harris was received by the thirteenth Tokugawa shogun Iesada at Edo castle in 1857. This work unveils the seventeen castle audiences for Western envoys carried out by the Tokugawa shogunate (1603-1867) during its last decade of reign. Through that process, the shogunate completed a ceremonial form based on its own tradition, as well as consistent with the Western practice. The endeavours of Tokugawa retainers on the frontline of external affairs at the time, prior to the Meiji Restoration (1868), was the true first step of Japan’s entry into the international community. The formation of diplomatic ceremonial, progressed as a different layer from more political negotiations, provides an alternative history of bakumatsu (late years of the shogunate) foreign relations that has been overlooked in previous studies.
The formal diplomatic relations between Japan and Western nations dawned when the first American consul-general Townsend Harris was received by the thirteenth Tokugawa shogun Iesada at Edo castle in 1857. This work unveils the seventeen castle audiences for Western envoys carried out by the Tokugawa shogunate (1603-1867) during its last decade of reign. Through that process, the shogunate completed a ceremonial form based on its own tradition, as well as consistent with the Western practice. The endeavours of Tokugawa retainers on the frontline of external affairs at the time, prior to the Meiji Restoration (1868), was the true first step of Japan's entry into the international community. The formation of diplomatic ceremonial, progressed as a different layer from more political negotiations, provides an alternative history of bakumatsu (late years of the shogunate) foreign relations that has been overlooked in previous studies.
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