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Mainstream media's relationship with mental illness is fraught. Deemed to misrepresent and sensationalise non-normative mental states, productions are said to solidify harmful attitudes in their audiences. Over the past two decades, puzzle films and complex TV shows have broken with time-honoured tropes of mental illness, offering alternative ways of visualising and narrating non-normative mental states.Bringing together cognitive media studies, narrative theory and cultural studies, Melanie Kreitler explores the synergy between complex narrative structures and representations of mental illness. Focusing on US American films and TV shows since the mid-1990s, the book shows how complex productions strategically use their narrative structures to evoke in viewers an experience similar to that of the neuro-non-normative protagonist. Moving beyond the formal characteristics and cognitive effects of narrative complexity, this book argues for the cultural impact that puzzle films and complex television can have on our understanding of mental illness on and off screens.
The beginning of the 21st century was a time of unprecedented events in American society: Y2K, 9/11 and the wars that followed, partisan changes in government and the rapid advancements of the Internet and mass consumerism. In the two decades since, popular culture--particularly film--has manifested the underlying anxieties of the American psyche. This collection of new essays examines dozens of movies released 1998-2020 and how they drew upon and spoke to mass cultural fears. Contributors analyze examples across a range of genres--horror, teen rom-coms, military flicks, slow-burns, and animated children's films--covering topics including gender and sexuality, environmental politics, technophobia, xenophobia, and class and racial inequality.
The nimble, creative spirit of Quebecois screenwriter and filmmaker, Denis Villeneuve, is reflected in his varied body of work. Villeneuve explores questions of alterity and interculturality, of language and identity, of memory and forgetting, of violence and retribution, throughout his filmography: Un 32 aout sur terre (1998), Maelstrom (2000), Polytechnique (2009), Incendies (2010), Enemy (2013), Prisoners (2013), Sicario (2015), Arrival (2016), Blade Runner 2049 (2017) and Dune: Part 1 (2021).This edited collection brings together original works of scholarship on all of Villeneuve's feature films from different theoretical approaches, in order to deepen our understanding of this important and yet relatively understudied director; read individually or as a collective whole, these studies reveal important elements of Villeneuve's filmic practice, as well as the evolutions of his oeuvre.
Fostering a dialog between Critical Disability Studies, American Studies, InterAmerican Studies, and Global Health Studies, the edited compilation conceptualizes disability and (mental) illnesses as a cultural narrative enabling a deeper social critique. By looking at contemporary cultural productions primarily from the USA, Canada, and the Caribbean, the books’ objective is to explore how literary texts and other cultural productions from the Americas conceptualize, construct, and represent disability as a narrative and to investigate the deep structures underlying the literary and cultural discourses on and representations of disability including parameters such as disease, racism, and sexism among others. Disability is read as a shifting phenomenon rooted in the cultures and histories of the Americas.
With bans on reproductive rights and access to healthcare, with censorship in schools and universities, and the instrumentalization of rights rhetoric itself, diversity issues stand at the heart of the primary and general elections in the United States. The contributors examine how the American elections will influence diversity issues in the United States and elsewhere, considering reproductive and immigration rights, planetary justice, epistemic and physical violence against LGBTQIA+ people as well as efforts to abet this violence. In this way they highlight the symbolic and political weight of the 2024 U.S. elections as a watershed moment for citizens of the world.
This book examines the ways in which individuals may receive treatment in therapy groups in Britain. A comprehensive overview of the range of therapies available within a group setting is presented as a broad and searching introduction to group therapy. Small groups, the therapeutic community, large groups, self-help groups and one-sex groups are considered in turn by specialists in these areas. The issues of training are considered within this context.
In the most thorough attempt to cover all aspects of children’s make-believe, Dorothy and Jerome Singer examine how imaginative play begins and develops, from the infant’s first smiles to the toddler’s engagement in social pretend play. They provide intriguing examples and research evidence on the young child’s invocation of imaginary friends, the adolescent’s daring, rule-governed games, and the adult’s private imagery and inner thought. In chapters that will be important to parents and policymakers, the authors discuss television and the imagination, the healing function of play, and the effects of playfulness and creativity throughout the life span.