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Medieval English Theatre 44
Newest research into drama and performance of the Middle Ages and Tudor period. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays , and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The papers in this volume explore richly interlocking topics. Themes of royalty and play continue from Volume 43. We have the first in-depth examination of the empl...
Maritime Musicians and Performers on Early Modern English Voyages
Maritime Musicians and Performers on Early Modern English Voyages aims to tell the full story of early English shipboard performers, who have been historically absent from conversations about English navigation, maritime culture, and economic expansion. Often described reductively in voyaging accounts as having one function, in fact maritime performers served many communicative tasks. Their lives were not only complex, but often contradictory. Though not high-ranking officers, neither were they lower-ranking mariners or sailors. They were influenced by a range of competing cultural practices, having spent time playing on both land and sea, and their roles required them to mediate parties using music, dance, and theatre as powerful forms of nonverbal communication. Their performances transcended and breached boundaries of language, rank, race, religion, and nationality, thereby upsetting conventional practices, improving shipboard and international relations, and ensuring the success of their voyages.
Medieval English Theatre 45
Newest research into drama and performance from the Middle Ages and the Tudor period. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume offers new perspectives in three important areas. It opens with an investigation of the tantalising image of the Black Tudor trumpeter, John Blanke...
Black Tudors
A new, transformative history – in Tudor times there were Black people living and working in Britain, and they were free ‘This is history on the cutting edge of archival research, but accessibly written and alive with human details and warmth.’ David Olusoga, author of Black and British: A Forgotten History A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England… They were present at some of the defining moment...
Changing Histories for KS3: Connected Worlds, c.1000–c.1600
Change the history that pupils learn at Key Stage 3. Reframe familiar topics, discover forgotten stories and amplify unheard voices. Through an evocative, story-based approach, this ground-breaking course brings together historical scholarship and enquiry, presenting a truly diverse, inclusive and ambitious history curriculum. This is the history we owe to our pupils. This is the past for today and tomorrow. A clear, chronological spine underpins each book, empowering pupils with the knowledge they need to understand, question or disrupt national narratives. Move between local and global, between small details and wider developments, as the books blend depth and overview, expanding pupils' k...
John Blanke Project
The book of the groundbreaking art exhibition, displayed in the British Library, Met New York and Walker in Liverpool Artists and historians recreate the world of John Blanke, the first person of African descent in British history for whom we have both an image and a record. John Blanke was a Black trumpeter to the courts of Henry VII and Henry VIII, captured in two images in Tudor artwork and court records showing him receiving wages and petitioning for a wage increase and gifts Inspired by this enigmatic figure, Michael Ohajuru, a London-based cultural historian, invited over 100 artists and historians to imagine John Blanke's world. Now, these images and words - exhibited in the British M...
West Africa
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Journal
Some issues include an unpaged section: Transport research bulletin.
Black British Music
The story of Black British music is a five-hundred-year journey from the court of King Henry VIII to the 'Ends' of South London; from Africa to the Caribbean to the UK and back; from subterranean shebeens and church halls to royal command performances and sold-out stadiums; and from outsider influence to domestic chart domination. It is a story that grapples with the slave trade, the prejudice of unwelcoming institutions and the bias of ignorance while ultimately celebrating the creativity and perseverance of the pioneers and today's digital age innovators. Published alongside the major British Library exhibition, Beyond the Bassline is a landmark volume of essays, features and interviews wh...
