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One of the advertising world's all-time greats--the first woman president of an advertising agency and the first woman CEO of a company on the New York Stock Exchange--tells her riveting story. 36 photos.
Risky Business. Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New Girl. What do all of these movies and television shows have in common? Curtis Armstrong. A legendary comedic second banana to a litany of major stars, Curtis is forever cemented in the public imagination as Booger from Revenge of the Nerds. A classically trained actor, Curtis began his incredible 40-year career on stage but progressed rapidly to film and television. He was typecast early and it proved to be the best thing that could have happened. But there’s more to Curtis’ story than that. Born and bred a nerd, he spent his early years between Detroit, a city so nerdy that the word was ...
In 1848, the penultimate year of his life, Chopin visited England and Scotland at the instigation of his aristocratic Scots pupil, Jane Stirling. In the autumn of that year, he returned to Paris. The following autumn he was dead. Despite the fascination the composer continues to hold for scholars, this brief but important period, and his previous visit to London in 1837, remain little known. In this richly illustrated study, Peter Willis draws on extensive original documentary evidence, as well as cultural artefacts, to tell the story of these two visits and to place them into aristocratic and artistic life in mid-nineteenth-century England and Scotland. In addition to filling a significant hole in our knowledge of the composer’s life, the book adds to our understanding of a number of important figures, including Jane Stirling and the painter Ary Scheffer. The social and artistic milieux of London, Manchester, Glasgow and Edinburgh are brought to vivid life.
Winner (Honourable Mention), 2014 BC Historical Federation Lieutenant-Governor's Medal for Historical Writing. Each year, visitors from all parts of the globe find their way to a sequestered Benedictine monastery in the hills of Mission, BC, and view the art and sculptures that beautify the abbey and its walls. But the man responsible for this work rarely ventures outside the monastery, never mind the province. He is an artist who has seen few of the masterpieces of Western art that inspire him in person; he is a musician who has seldom attended a concert; and he is an intellectual who, at his own insistence, dropped out of high school as early as he could. Acknowledged by some as one of the major British Columbian artists of his generation, Dunstan Massey could have developed a successful public career in Vancouver or Toronto as an artist or musician—or perhaps even as an actor or academic. But none of this happened because at the age of 18 he renounced every one of these possibilities and dedicated his life to God. Daphne Sleigh introduces both the artist and his art in this fascinating and lavishly illustrated new biography.
The definitive oral history—with a foreword by Lou Reed—of the center of New York's 1960s and '70s underground culture. From its opening in December 1965 on Park Avenue South, Max's Kansas City, a hybrid restaurant, bar, nightclub, and art gallery, was the boisterous meeting spot for famous—or soon-to-be-famous—figures in New York's underground art, music, literary, film, and fashion scenes. Max's regulars included Andy Warhol (and his superstars such as Viva, Ultra Violet, Edie Sedgwick, Gerard Malanga, Holly Woodlawn, and Candy Darling), Mick Jagger, Lou Reed, Patti Smith, Allen Ginsberg, William Burroughs, David Bowie, Iggy Pop, Bob Dylan, Jane Fonda, and dozens more. A hotbed of ...