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This catalogue focuses on the Greek and Roman antiquities of the collections at Dumbarton Oaks. The catalogue also includes other objects, such as a bronze horse and four floor mosaics from Antioch.
Flattening the Medieval Earth explores the origin of the ‘flat error’, i.e. the false accusation that ancient and medieval Christians believed in a flat Earth, and what this implies in terms of a conflict between science and Christianity. Engaging with scientific and religious debates, this book includes a reception study of two key figures of the 4th century AD, Lactantius and Augustine. This study demonstrates that the mistaken ‘dark’ image of medieval scholars as flat-earthers started very early, c. 1600, as an internal Christian debate in the context of new geographical and astronomical views. The author draws on extensive research including many primary and secondary sources from different countries and languages not previously put into conversation. Combining history of science, church history, science and religion, history of navigation, and historiography, this book gives the most updated explanation of the origin of the flat error, finding paradoxes and unexpected answers along the way to understand the past and to reflect on some current approaches in science and religion.
Each year since 1983 the American Council of Learned Societies has invited one of America's leading scholars to deliver the Haskins Lecture, in honor of Charles Homer Haskins, a distinguished scholar and teacher who was instrumental in the founding of the ACLS. In this volume, which commemorates the 75th anniversary of the ACLS, Douglas Greenberg and Stanley Katz bring together the lectures presented by ten of America's most distinguished scholars. Each lecture is a personal and intellectual glimpse into the "life of learning" of such leading scholars as Maynard Mack, Annemarie Schimmel, and John Hope Franklin. The lectures focus on self-reflection of lives dedicated to learning, rather than on scholarship in the usual sense of the term. Ranging from being forced to learn Latin to painful memories of war and racism, the lecturers all recount stories from their eventful lives. Each offers thoughts on the body of work he or she has produced and the forces, personal and intellectual, that have shaped it. The scholars bring something of their disciplines to the lecture, sharing not only personal anecdotes but their love of learning.
A monumental work in scope and content, Aloys Grillmeier's Chirst in the Christian Tradition offers students and scholars a comprehensive exposition of Western writing on the history of doctrine. Volume One covers the Apostolic Age to Chalcedon (451).
A follow-up publication to the Handbook of Medieval Studies, this new reference work turns to a different focus: medieval culture. Medieval research has grown tremendously in depth and breadth over the last decades. Particularly our understanding of medieval culture, of the basic living conditions, and the specific value system prevalent at that time has considerably expanded, to a point where we are in danger of no longer seeing the proverbial forest for the trees. The present, innovative handbook offers compact articles on essential topics, ideals, specific knowledge, and concepts defining the medieval world as comprehensively as possible. The topics covered in this new handbook pertain to issues such as love and marriage, belief in God, hell, and the devil, education, lordship and servitude, Christianity versus Judaism and Islam, health, medicine, the rural world, the rise of the urban class, travel, roads and bridges, entertainment, games, and sport activities, numbers, measuring, the education system, the papacy, saints, the senses, death, and money.
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books