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Andy Warhol's Mother
While biographers of Andy Warhol have long recognized his mother as a significant influence on his life and art, Julia Warhola’s story has not yet been told. As an American immigrant who was born in a small Carpatho-Rusyn village in Austria-Hungary in 1891, Julia never had the opportunity to develop her own considerable artistic talents. Instead, she worked and sacrificed so her son could follow his dreams, helping to shape Andy’s art and persona. Julia famously followed him to New York City and lived with him there for almost twenty years, where she remained engaged in his personal and artistic life. She was well known as “Andy Warhol’s mother,” even developing a distinctive signa...
Artists and the Practice of Agriculture
Artists and the Practice of Agriculture maps out examples of artistic practices that engage with the aesthetics and politics of gathering food, growing edible and medicinal plants, and interacting with non-human collaborators. In the hands of contemporary artists, farming and foraging become forms of visual and material language that convey personal and political meanings. This book provides a critical analysis of artistic practices that model alternative food systems. It presents rich academic insights as well as 16 conversations with practicing artists. The volume addresses pressing issues, such as the interconnectedness of human and other-than-human beings, the weight of industrial agriculture, the legacy of colonialism, and the promise of place-based and embodied pedagogies. Through participatory projects, the artists discussed here reflect on the links between past histories, present challenges, and future solutions for the food sovereignty of local and networked communities. The book is an easy-to-navigate resource for readers interested in food studies, visual and material cultures, contemporary art, ecocriticism, and the environmental humanities.
Mel Chin
The oeuvre of Mel Chin (b. 1951 in Houston) encompasses a wide variety of media including sculpture, video, drawing, painting, land art, and performance art. Eschewing a trademark style, the common thread through Chin's practice is his conceptual rigor, thoughtful historicism, and concern for social justice. His land-based works such as Revival Field from the early 1990s and Operation Paydirt (2008-ongoing), garnered significant international press for presenting the science of soil remediation as an art form. Challenging the traditional concept of a retrospective as a linear presentation of a single individual's work over time, the publication celebrates the artist's practice of constant evolution, re-examination, and collaboration. The catalogue will also include an extensive illustrated chronology of his career. Exhibition: New Orleans Museum of Art, USA (21.02-25.05.2014) and further venues.
Giving Up Is Unforgivable
Instant New York Times bestseller A political manifesto for our present moment—part history lesson, part call to save the Republic "Brilliant, galvanizing, and inspirational. A road map to help us find our way out of the darkness." —Mary L. Trump We’re in this together. For the past several years, Joyce Vance has signed off posts on her chart-topping Substack, "Civil Discourse", with these four words. In that time, she has guided readers through a continued erosion of democratic norms, the unprecedented felony conviction of an ex-president, and the constitutionally calamitous beginning to the second Trump administration. Here, Vance offers a blueprint for avoiding burnout and despair, ...
Staging Touch in Shakespeare's England
When Shakespearean characters kiss, embrace, or shake hands, what does it mean? Are dramatic characters following established rules of conduct, or breaking them? Are there rules to break? Staging Touch in Shakespeare's England addresses these and related questions and, in the process, uncovers the social semiotics of contact in the early modern theatre. Its central argument is twofold. First, dramatic characters use touch to define and contest the nature of their relationships: taking hands means something different than embracing or, indeed, holding hands a different way. Second, the definitions, the social roles of actions like these, are up for debate in venues ranging from sermons to the...
Rescuing the Enlightenment from the Europeans
In Rescuing the Enlightenment from the Europeans, Nikita Dhawan examines key theoretical conflicts between postcolonial studies and interlocutors of the Enlightenment, from Kant to the present to make the case for rescuing the best aspects of the Enlightenment in order to further the critical project of decolonization.
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